Gray Robert Brown

I've made this argument before when I was in Sophie's doing Sophie's lessons that I think that this might be the point that if I were a general reader I'd be like I think Agatha Christie wrote this yeah for me Saint Lou is a real giveaway well it does fit then that as you've revealed to us that this that we're heading towards a point where the secret is coming out because this is probably the most blatant more so than any moment in unfinished portrait that feels a bit post disappearance hmm

But then are we just thinking that because we're these forensic heck of the Christie readers that remember where Peril at End House was set?

Because for a lot of people, of course, that's not on the tip of their tongue.

No.

But I do, well, there's a few things here, right?

So is it that this is the first uniting of the Christie verse and the Westmacott verse?

Is it that there are two St.

Lou's?

Because, I mean, the St.

Lou in Peril at Endhouse is also given as Cornwall, right?

Yes.

It's clearly Cornwall in The Rose and the Yew Tree.

Yes.

But it's inspired by Torquay, which is in Devon.

Yes.

But then, I don't know, it's layered, isn't it?

Because there are quite a few moments where I felt like there were other Cornwall influences.

Like, for example, when Hugh talks of...

Well, at St.

Newcastle.