Greg Hurwitz

That's where it's fractal. That's what Jesus does for, you know, Exodus, for Genesis. I mean, what we're seeing is everything is a relation and a fulfillment of the previous rituals.

That's where it's fractal. That's what Jesus does for, you know, Exodus, for Genesis. I mean, what we're seeing is everything is a relation and a fulfillment of the previous rituals.

And also to be saved is the same thing as to be forgiven from sin in a way. So they're saved.

And also to be saved is the same thing as to be forgiven from sin in a way. So they're saved.

we need a human being to stand in if Jesus is standing in for sinners that he doesn't need but to show us the path. You need another human being with enough authority to baptize him, right?

we need a human being to stand in if Jesus is standing in for sinners that he doesn't need but to show us the path. You need another human being with enough authority to baptize him, right?

Because I think so much of this is, you know, there's so much of the gospel is around doubt. You know, it's like, you know, you go back to with Exodus where Moses says, hang on one minute, Aaron, I'm just going up the mountain and just keep things under control. And then immediately out of sight, it's like...

Because I think so much of this is, you know, there's so much of the gospel is around doubt. You know, it's like, you know, you go back to with Exodus where Moses says, hang on one minute, Aaron, I'm just going up the mountain and just keep things under control. And then immediately out of sight, it's like...

And so it's again and again with the Gospels, all the way through Peter denying Christ three times. I mean, it's all the way through is the doubt and the disbelief even in the face of what is.

And so it's again and again with the Gospels, all the way through Peter denying Christ three times. I mean, it's all the way through is the doubt and the disbelief even in the face of what is.

And so I think that these intimations are also a way of, like they sort of naturally build suspense from a narrative perspective, but they also are trying to move along at a pace that human comprehension can possibly keep up with.

And so I think that these intimations are also a way of, like they sort of naturally build suspense from a narrative perspective, but they also are trying to move along at a pace that human comprehension can possibly keep up with.

And I think we're also looking at this tragedy, especially in comparison to, let's say, Abraham and Isaac, where his hand is stayed and he gets to keep his son. But the actual end of the Gospels is that the same thing happens with God. He gives his, you know, like in a way... No one stays his hand. Yeah, it goes all the way through, but then he has his son, and Mary also is reunited with her son.

And I think we're also looking at this tragedy, especially in comparison to, let's say, Abraham and Isaac, where his hand is stayed and he gets to keep his son. But the actual end of the Gospels is that the same thing happens with God. He gives his, you know, like in a way... No one stays his hand. Yeah, it goes all the way through, but then he has his son, and Mary also is reunited with her son.

I think in a lot of ways, and we've discussed this a little bit, the uncertainty or the lack of consistency across the stories actually makes them more believable.

I think in a lot of ways, and we've discussed this a little bit, the uncertainty or the lack of consistency across the stories actually makes them more believable.

And so if we were to reconstitute something from historical memory and every detail lines up, I mean, think about like a police investigation, right?

And so if we were to reconstitute something from historical memory and every detail lines up, I mean, think about like a police investigation, right?

Right, a bunch of guys in a heist and they have all the details in place, you're not going to believe them. And so part of this is it's a historical reconstitution and memory works in different ways, story works in different ways, people are writing to different aims. They had access to different sources maybe, yeah.

Right, a bunch of guys in a heist and they have all the details in place, you're not going to believe them. And so part of this is it's a historical reconstitution and memory works in different ways, story works in different ways, people are writing to different aims. They had access to different sources maybe, yeah.