Guest: David Leitch

No, no, no. But I really wanted to go to Japan and, like, get some, you know, some real environments. Sure. And, like, you know, and real grit and texture. And even the tone of the movie is now completely different because I'm like, okay... We're going to shoot it on stage. What's the anime version of this film?

No, no, no. But I really wanted to go to Japan and, like, get some, you know, some real environments. Sure. And, like, you know, and real grit and texture. And even the tone of the movie is now completely different because I'm like, okay... We're going to shoot it on stage. What's the anime version of this film?

No, no, no. But I really wanted to go to Japan and, like, get some, you know, some real environments. Sure. And, like, you know, and real grit and texture. And even the tone of the movie is now completely different because I'm like, okay... We're going to shoot it on stage. What's the anime version of this film?

And then I think we did a big pivot, you know, with the production design and the music and like the costumes. And I'm like, I'm going to make this sort of an anime graphic novel movie because we really have one big soundstage we can, you know, do it on.

And then I think we did a big pivot, you know, with the production design and the music and like the costumes. And I'm like, I'm going to make this sort of an anime graphic novel movie because we really have one big soundstage we can, you know, do it on.

And then I think we did a big pivot, you know, with the production design and the music and like the costumes. And I'm like, I'm going to make this sort of an anime graphic novel movie because we really have one big soundstage we can, you know, do it on.

And actually we did that crazy enough during the pandemic on WhatsApp.

And actually we did that crazy enough during the pandemic on WhatsApp.

And actually we did that crazy enough during the pandemic on WhatsApp.

Oh, what do you mean? I had a cinematographer. I know.

Oh, what do you mean? I had a cinematographer. I know.

Oh, what do you mean? I had a cinematographer. I know.

Cinematographer in Japan.

Cinematographer in Japan.

Cinematographer in Japan.

And a first AD in Japan. And we had, you know, had them for weeks scouting, sending location photos, sending video because no one was allowed in Japan. You couldn't travel there. Oh, wow. It was like there was a lockdown.

And a first AD in Japan. And we had, you know, had them for weeks scouting, sending location photos, sending video because no one was allowed in Japan. You couldn't travel there. Oh, wow. It was like there was a lockdown.

And a first AD in Japan. And we had, you know, had them for weeks scouting, sending location photos, sending video because no one was allowed in Japan. You couldn't travel there. Oh, wow. It was like there was a lockdown.

We did it. All the plate photography we did with a remote unit. Huh? And I would get up at 2 in the morning and get on WhatsApp and watch on a camera.

We did it. All the plate photography we did with a remote unit. Huh? And I would get up at 2 in the morning and get on WhatsApp and watch on a camera.