Hamilton Morris

sort of transitional literary era that doesn't get talked about very much where there was this brilliant guy named Jesse Pearson who is the editor of the magazine and he's a sort of intellectual who wanted to use it to publish fiction and art photography and things like that and that was around the time that I started working there and it was actually like a really cool era to be there and

Then it goes from comedy vice to literary vice to news vice. That's around the time that the HBO thing... Is that when Spike Jonze came along? He came along... Well, he was always in the background. Oh, was he? But he came along more during the Viceland pivot as someone that was in the office every day. I don't really think that he had...

Then it goes from comedy vice to literary vice to news vice. That's around the time that the HBO thing... Is that when Spike Jonze came along? He came along... Well, he was always in the background. Oh, was he? But he came along more during the Viceland pivot as someone that was in the office every day. I don't really think that he had...

Then it goes from comedy vice to literary vice to news vice. That's around the time that the HBO thing... Is that when Spike Jonze came along? He came along... Well, he was always in the background. Oh, was he? But he came along more during the Viceland pivot as someone that was in the office every day. I don't really think that he had...

all that much of a... I mean, I think he probably got paid well, but I don't know that he played all that much of a role other than... Yeah, so then there's news and that's around the time where they start to have mainstream appeal and everyone's saying like, oh, this is real news. This is the real news network. And then...

all that much of a... I mean, I think he probably got paid well, but I don't know that he played all that much of a role other than... Yeah, so then there's news and that's around the time where they start to have mainstream appeal and everyone's saying like, oh, this is real news. This is the real news network. And then...

all that much of a... I mean, I think he probably got paid well, but I don't know that he played all that much of a role other than... Yeah, so then there's news and that's around the time where they start to have mainstream appeal and everyone's saying like, oh, this is real news. This is the real news network. And then...

they get hit hard by culture war um propriety concerns because the edginess that they built their brand on suddenly became deeply unfashionable and dangerous reputationally so they have to pivot to some kind of like social concern there was actually like i don't know if you there's a journalist michael moynihan who

they get hit hard by culture war um propriety concerns because the edginess that they built their brand on suddenly became deeply unfashionable and dangerous reputationally so they have to pivot to some kind of like social concern there was actually like i don't know if you there's a journalist michael moynihan who

they get hit hard by culture war um propriety concerns because the edginess that they built their brand on suddenly became deeply unfashionable and dangerous reputationally so they have to pivot to some kind of like social concern there was actually like i don't know if you there's a journalist michael moynihan who

wrote a great piece and did an interview with Barry Weiss about this kind of pivotal moment where young employees at Vice decided that the old covers of the magazine were too offensive to be displayed. And so they all had to be moved out of the lobby into the private office of Saroosh, who was one of the founders of the company. And I was there while this was happening, and I remember it

wrote a great piece and did an interview with Barry Weiss about this kind of pivotal moment where young employees at Vice decided that the old covers of the magazine were too offensive to be displayed. And so they all had to be moved out of the lobby into the private office of Saroosh, who was one of the founders of the company. And I was there while this was happening, and I remember it

wrote a great piece and did an interview with Barry Weiss about this kind of pivotal moment where young employees at Vice decided that the old covers of the magazine were too offensive to be displayed. And so they all had to be moved out of the lobby into the private office of Saroosh, who was one of the founders of the company. And I was there while this was happening, and I remember it

I remember seeing it and thinking that it was unsettling, but also just ignoring it. But he was, I think, correct to point out that this was indicative of rot within the company where you have you have the employees saying your entire this entire company is so offensive that we can't look at what it has created. And, you know, they start making increasingly bad stuff.

I remember seeing it and thinking that it was unsettling, but also just ignoring it. But he was, I think, correct to point out that this was indicative of rot within the company where you have you have the employees saying your entire this entire company is so offensive that we can't look at what it has created. And, you know, they start making increasingly bad stuff.

I remember seeing it and thinking that it was unsettling, but also just ignoring it. But he was, I think, correct to point out that this was indicative of rot within the company where you have you have the employees saying your entire this entire company is so offensive that we can't look at what it has created. And, you know, they start making increasingly bad stuff.

After I left, it became kind of like one of the premier sources of anti psychedelic journalism.

After I left, it became kind of like one of the premier sources of anti psychedelic journalism.

After I left, it became kind of like one of the premier sources of anti psychedelic journalism.

Yeah. Yeah.