Menu
Sign In Search Podcasts Libraries Charts People & Topics Add Podcast API Blog Pricing

Han Ong

πŸ‘€ Speaker
693 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

But it's so telling, again, with this sort of double vision that Uluskaya has, that this occasion for much joy and the reawakening of his...

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

artist's self will also be the occasion for his eventual downfall when he is pegged for pornography by the state for these very images, which are exhibited in Cologne.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

Well, at the simplest level, he lives, he gets to live.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

So in that way, it's a victory.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

But that kind of outcome is very typical in Russian history and also very typical in Uluskaya's stories, being reflective of Russian history, in that you take small victories where you can.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

And also, I think the dissident spirit, although there are, in fact, people who persist to their 90s and remain dissident,

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

dissident in spirit and in act you know that kind of fierce dissident spirit burns really bright between I don't know what you know you can sort of bracket it between this age and that age and after a while it sort of burns out and you sort of have to settle for the compromise of living and also artists are you know part of being an artist is to sort of indulge a kind of sybaritic spirit a kind of spirit of survivalism so being an artist slash dissident is always a kind of tricky proposition

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

You know, the principled side of you versus the sensuous side or the side that wants good living, you know, or settled living.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

And this is also part of the way Old Sky's stories turn out is that her characters' fates are dispatched in a paragraph in English.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

Having spent, you know, pages and pages with them, suddenly the quirks of their fates are dispatched in a sentence or two.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

And that's just sort of the part of the vagaries of life.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

You know, history happens.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

It boils you up.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

It plummets you down.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

You just have to sort of endure all of the vicissitudes of this world.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

You know, the upping and the downing and come out the other side.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

And you have to live long to see at least some up in that cycle.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

You know, and I think for now, this is an up.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

Who knows if he might continue to be from his Γ©migrΓ© perch, a continuing gadfly of the government, as some people do.

The New Yorker: Fiction
Han Ong Reads Lyudmila Ulitskaya

Or it could mean...