Hannah Pilkes

I was out till four.

I'm like, that is, I have vocal fright, you know, but I, the only way you can access them now is a YouTube compilation.

And like 10 years of vines is 20 minutes total.

No, no.

But I wish I had, you know, I haven't checked, but I don't imagine it's in the App Store.

And yet, E-bombs world still kicking.

Well, you have tight framing, limited sets, low budgets, probably the same five people in it.

You have...

underpaid writers.

I have many friends that have that have applied for these jobs and the copy.

I mean, you just you churn it out, you know.

But yeah, it's so wild, you know, the difference between the two things.

It's like short form's wonderful, but if you're only doing short form as a performer, it's not a sustainable model, and it doesn't help you with long form.

Like, I remember doing Groundlings the same time as Vine, and I would get scolded because all my characters were like eight seconds long.

They're like, all right, and stretch, but...

You know, people say everyone's attention spans are short now, but I beg to differ.

I still think that there's a huge market for both.

I agree with you.

And also, sometimes I want to consume something really quick and palatable, and other times I want to, you know, binge Hunting Wives.

But I don't know.