Hardy

Oh, well, let's see here.

And then somebody's like, you know, heart's on fire.

And you just start throwing out random ideas.

And it's just one of them sticks.

And then you write it because everybody in the room is a professional songwriter.

And then a year later, it's like a seven week number one.

Dude, it's like, it's just crazy to me.

But what I'm getting at is how not, it's not like, it's not as, you would never think that it's like,

not a creative, you know, from the heart kind of thing because it's country music and like these, the stories are so good and they make people cry.

But, but the songwriters like myself and other people, it's like, we're not crying in the room, but when we write a line, we're like, this is going to, this is going to hammer somebody.

It's going to make like, you know, but, and we mean that not in a funny way, but like in a very like, you know, like this is going to help a lot.

Like when I, when we wrote wait in the truck,

When we finished that song and Jordan Schmidt and his home studio played that song top down, we all looked at each other and we were like, dude, this is going to destroy some people.

And that's like, we did our job that day.

But anyway, it's just, I love the creative process.

I probably went way off on a tangent, but I love talking about...

how not creative the creative process looks, you know, and we're not sitting in a vibey room.

And some places are like that, and that's totally fine.

Like, I know L.A., it's a lot more about, like, getting in the mood.

Yeah, you know, and certain candles, it smells a certain way and all that.