Harrison Ford

I don't want to have to hide the face of the character because it's a stunt guy.

I want them to feel the blow.

I want them to see the anxiety.

I want them to be there when the decision is made or when the decision is missed.

I just want them to be there.

And it takes me being there to bring them along, I think.

Oh, there were a lot.

Well, actually, I was working for Dean Tavallaris, who was Francis's art director.

And Francis had moved into new offices at Goldman Studios.

And Dean had designed an entrance to the offices.

And Dean needed somebody to install it.

And so he asked me if I would do him a favor, because he couldn't find a carpenter to get it installed.

I said that I would do the job.

I'd be happy to do the job.

But I only wanted to work at night, because I didn't want to confuse the people in the office about whether I was a carpenter or an actor.

Yeah.

Well, I wanted them to think of me as an actor, not to think of me as a carpenter.

So I was there sweeping up.

I was just finishing the job when George Lucas walked in with Richard Dreyfuss.

who had been in American Graffiti.