HARV

This is the first time I meet Justin. And we're jamming. And I just saw his musical talent. And they're like, cool, you're in the band now. And then that's how I just became the bass player at that time. This is the My World Tour, like 2010 or something.

So yeah, I just became the bass player.

So yeah, I just became the bass player.

So yeah, I just became the bass player.

Yeah, it is a hard transition because just because you are an amazing musician doesn't mean you're going to be an amazing producer. You still have to understand sonics. You still have to know that in producing, less is more. Being a musician, more is better. The better you can play, the bigger you are. If you're the best pianist, everybody's going to praise you.

Yeah, it is a hard transition because just because you are an amazing musician doesn't mean you're going to be an amazing producer. You still have to understand sonics. You still have to know that in producing, less is more. Being a musician, more is better. The better you can play, the bigger you are. If you're the best pianist, everybody's going to praise you.

Yeah, it is a hard transition because just because you are an amazing musician doesn't mean you're going to be an amazing producer. You still have to understand sonics. You still have to know that in producing, less is more. Being a musician, more is better. The better you can play, the bigger you are. If you're the best pianist, everybody's going to praise you.

If you're the best bassist, we love that. But in producing... those flat seven, minor diminished, augmented, like nine sevens, like that may not sound good. We just need the triads. And sometimes, you know, as a musician, you want to add all of those colorful chords and like 10 finger chords.

If you're the best bassist, we love that. But in producing... those flat seven, minor diminished, augmented, like nine sevens, like that may not sound good. We just need the triads. And sometimes, you know, as a musician, you want to add all of those colorful chords and like 10 finger chords.

If you're the best bassist, we love that. But in producing... those flat seven, minor diminished, augmented, like nine sevens, like that may not sound good. We just need the triads. And sometimes, you know, as a musician, you want to add all of those colorful chords and like 10 finger chords.

It's like every finger is dedicated to a note, but like, like in producing, you just may need two fingers or three finger chords. And like with the right patch, like it sounds crazy. So it's like,

It's like every finger is dedicated to a note, but like, like in producing, you just may need two fingers or three finger chords. And like with the right patch, like it sounds crazy. So it's like,

It's like every finger is dedicated to a note, but like, like in producing, you just may need two fingers or three finger chords. And like with the right patch, like it sounds crazy. So it's like,

transitioning from being a musician to a producer is one of those like you really got to kind of dumb yourself down just a baby hair just to make it make sense if that makes any sense simple yeah yeah simplify yourself a lot of instrumentalists i feel like try to go as like complex as possible yeah yeah yeah a lot of guitarists sometimes and like they always do these crazy guitar solos but the best guitarists to work with are the ones that just have like really awesome melodies

transitioning from being a musician to a producer is one of those like you really got to kind of dumb yourself down just a baby hair just to make it make sense if that makes any sense simple yeah yeah simplify yourself a lot of instrumentalists i feel like try to go as like complex as possible yeah yeah yeah a lot of guitarists sometimes and like they always do these crazy guitar solos but the best guitarists to work with are the ones that just have like really awesome melodies

transitioning from being a musician to a producer is one of those like you really got to kind of dumb yourself down just a baby hair just to make it make sense if that makes any sense simple yeah yeah simplify yourself a lot of instrumentalists i feel like try to go as like complex as possible yeah yeah yeah a lot of guitarists sometimes and like they always do these crazy guitar solos but the best guitarists to work with are the ones that just have like really awesome melodies

right right right that's a great point yeah because some musicians think that everybody thinks like a musician no that's you're like five percent of the population the other 95 doesn't understand everything you just played they just want to feel something so you know the thing is i always make somebody feel like even when i when i make music like i just want you know i'm saying the listener to feel happy sad angry whatever just feel anything you know

right right right that's a great point yeah because some musicians think that everybody thinks like a musician no that's you're like five percent of the population the other 95 doesn't understand everything you just played they just want to feel something so you know the thing is i always make somebody feel like even when i when i make music like i just want you know i'm saying the listener to feel happy sad angry whatever just feel anything you know

right right right that's a great point yeah because some musicians think that everybody thinks like a musician no that's you're like five percent of the population the other 95 doesn't understand everything you just played they just want to feel something so you know the thing is i always make somebody feel like even when i when i make music like i just want you know i'm saying the listener to feel happy sad angry whatever just feel anything you know

Yeah.