HARV

Let me go in as a bass player, piano player, whatever, and see what happens. So for me, it always, the end goal was to be a producer and, So even when I was playing bass with him, we'll be in rehearsal. I'll go off to the corner, put my headphones on and make a beat. Like I always kept my producer skills like or producer time equal with my live playing time.

Let me go in as a bass player, piano player, whatever, and see what happens. So for me, it always, the end goal was to be a producer and, So even when I was playing bass with him, we'll be in rehearsal. I'll go off to the corner, put my headphones on and make a beat. Like I always kept my producer skills like or producer time equal with my live playing time.

Let me go in as a bass player, piano player, whatever, and see what happens. So for me, it always, the end goal was to be a producer and, So even when I was playing bass with him, we'll be in rehearsal. I'll go off to the corner, put my headphones on and make a beat. Like I always kept my producer skills like or producer time equal with my live playing time.

Like I always split the difference, you know. So. After a while, you know, as you see, he was like, yo, what are you doing? Like he see me with headphones on like, yo, bro, what are you doing? Like, what are you listening to? Like, you know, I'm like, oh, I'm I'm a producer, too. Like, oh, really? You know, I let me hear something. So. I started learning, letting him hear beats.

Like I always split the difference, you know. So. After a while, you know, as you see, he was like, yo, what are you doing? Like he see me with headphones on like, yo, bro, what are you doing? Like, what are you listening to? Like, you know, I'm like, oh, I'm I'm a producer, too. Like, oh, really? You know, I let me hear something. So. I started learning, letting him hear beats.

Like I always split the difference, you know. So. After a while, you know, as you see, he was like, yo, what are you doing? Like he see me with headphones on like, yo, bro, what are you doing? Like, what are you listening to? Like, you know, I'm like, oh, I'm I'm a producer, too. Like, oh, really? You know, I let me hear something. So. I started learning, letting him hear beats.

And so that becomes, that became into like, after a show, we'll go back to his bus and start writing. And that led to the fa la la song, which is on his Christmas album under the mistletoe, which is our first song together that we did that, um, Our first record featuring Boyz II Men. Which is crazy, by the way. Yeah, thank you.

And so that becomes, that became into like, after a show, we'll go back to his bus and start writing. And that led to the fa la la song, which is on his Christmas album under the mistletoe, which is our first song together that we did that, um, Our first record featuring Boyz II Men. Which is crazy, by the way. Yeah, thank you.

And so that becomes, that became into like, after a show, we'll go back to his bus and start writing. And that led to the fa la la song, which is on his Christmas album under the mistletoe, which is our first song together that we did that, um, Our first record featuring Boyz II Men. Which is crazy, by the way. Yeah, thank you.

I wish. I wish. No. So me and a very talented writer named Adonis wrote that song. And yeah, Justin came in and cut it. And then next thing you know, Scooter's like, yeah, we're going to get Boyz II Men on it. Crazy. But I know I wish I was in the room with him.

I wish. I wish. No. So me and a very talented writer named Adonis wrote that song. And yeah, Justin came in and cut it. And then next thing you know, Scooter's like, yeah, we're going to get Boyz II Men on it. Crazy. But I know I wish I was in the room with him.

I wish. I wish. No. So me and a very talented writer named Adonis wrote that song. And yeah, Justin came in and cut it. And then next thing you know, Scooter's like, yeah, we're going to get Boyz II Men on it. Crazy. But I know I wish I was in the room with him.

So music director is a very important job. Basically... you arrange the live show and when i say arrange that means put like the extra hits in it the band intros outros um like orchestra hits like dance breaks anytime you see him go out and do a dance break like i had to like produce that and add that into the show like so let's say a song like peaches

So music director is a very important job. Basically... you arrange the live show and when i say arrange that means put like the extra hits in it the band intros outros um like orchestra hits like dance breaks anytime you see him go out and do a dance break like i had to like produce that and add that into the show like so let's say a song like peaches

So music director is a very important job. Basically... you arrange the live show and when i say arrange that means put like the extra hits in it the band intros outros um like orchestra hits like dance breaks anytime you see him go out and do a dance break like i had to like produce that and add that into the show like so let's say a song like peaches

I take the stems from the actual studio session, like the vocals, the music, the whole Pro2 session, and then I add certain things to enhance it. So when we present it in a live place, it just elevates the song just a little bit. And so that's one part.

I take the stems from the actual studio session, like the vocals, the music, the whole Pro2 session, and then I add certain things to enhance it. So when we present it in a live place, it just elevates the song just a little bit. And so that's one part.

I take the stems from the actual studio session, like the vocals, the music, the whole Pro2 session, and then I add certain things to enhance it. So when we present it in a live place, it just elevates the song just a little bit. And so that's one part.

And then the other part is hiring the musicians like the other band members, making sure the front of house guy is on point, the monitor guy, the techs, the crew. It's a very important kind of job, especially for artists of his magnitude, because there's so many moving parts. Like when we... When we tour, it's like just the band and people on stage alone is probably like 40 people.

And then the other part is hiring the musicians like the other band members, making sure the front of house guy is on point, the monitor guy, the techs, the crew. It's a very important kind of job, especially for artists of his magnitude, because there's so many moving parts. Like when we... When we tour, it's like just the band and people on stage alone is probably like 40 people.