Hayley Caronia

There's a link there and it's shocking the difference between how he painted the members of Trump's cabinet versus how he photographs other celebrities like model Gigi Hadid, who famously made fun of Melania Trump's accent.

You might remember that from, I think it was the Oscars one year.

So again, when he is photographing his liberal friends, scroll down a little bit, they look...

Well lit, nothing is so close where you can see the dirt in their pores.

Everyone looks nice.

These are not in his style.

You know what I mean?

You could just see the difference there.

So we can all infer how Vanity Fair feels about Trump and people who work for Trump by the looks of these photos, it's not a surprise.

And then people were pointing this out on X that there's a massive difference, not in the way necessarily about how he shoots his celebrity friends, but how this Vanity Fair,

how they portray other administrations.

Here's a photo or a side-by-side of, again, the closeup that they decided to put out of Caroline Lovett and the nicer photo that they put out further away of Karine Jean-Pierre, Biden's press secretary.

I mean, you look at the composition of those two photos, it's pretty clear that one is favorable and one is not.

But what is the purpose, aside from being just plain mean, to zoom in this close on someone's face?

It is a deliberate choice to be mean.

And we get it.

You're exposing the Trump cabinet.

But we don't need to see the dirt in their pores.

Okay?

We don't need to see where their makeup is settling.