Host 2

Oh, unbelievably so. No, no, no, no.

Oh, unbelievably so. No, no, no, no.

No, Dan is a creature of the edit room. I mean, I'm always... It's great to watch Dan work because I really feel like the editorial process is the next pass of writing. And, you know, we would overshoot. Sometimes we would overshoot. And so what ends up getting sort of... you know, sort of molded into that final episode. But I was always happy with the cuts, you know?

No, Dan is a creature of the edit room. I mean, I'm always... It's great to watch Dan work because I really feel like the editorial process is the next pass of writing. And, you know, we would overshoot. Sometimes we would overshoot. And so what ends up getting sort of... you know, sort of molded into that final episode. But I was always happy with the cuts, you know?

No, Dan is a creature of the edit room. I mean, I'm always... It's great to watch Dan work because I really feel like the editorial process is the next pass of writing. And, you know, we would overshoot. Sometimes we would overshoot. And so what ends up getting sort of... you know, sort of molded into that final episode. But I was always happy with the cuts, you know?

Yeah, you knew because I would do one take and go, great.

Yeah, you knew because I would do one take and go, great.

Yeah, you knew because I would do one take and go, great.

Sometimes I'd cut before you were done and go, we got it. We got it. We got it. I do remember you saying that. No, no, no.

Sometimes I'd cut before you were done and go, we got it. We got it. We got it. I do remember you saying that. No, no, no.

Sometimes I'd cut before you were done and go, we got it. We got it. We got it. I do remember you saying that. No, no, no.

I mean, look, like Dan and I have worked together for a long time. And he's also very respectful of like, he knows if I'm doing a thing or if I'm shooting a thing and he's protective of that.

I mean, look, like Dan and I have worked together for a long time. And he's also very respectful of like, he knows if I'm doing a thing or if I'm shooting a thing and he's protective of that.

I mean, look, like Dan and I have worked together for a long time. And he's also very respectful of like, he knows if I'm doing a thing or if I'm shooting a thing and he's protective of that.

But I have worked on shows. that shall remain nameless, where I can't watch a cut afterwards because it does get butchered. Because sometimes some shows, they're not thinking of it maybe visually. It's just more line cuts. Um, and so that can be frustrating, obviously. So I don't always watch stuff.

But I have worked on shows. that shall remain nameless, where I can't watch a cut afterwards because it does get butchered. Because sometimes some shows, they're not thinking of it maybe visually. It's just more line cuts. Um, and so that can be frustrating, obviously. So I don't always watch stuff.

But I have worked on shows. that shall remain nameless, where I can't watch a cut afterwards because it does get butchered. Because sometimes some shows, they're not thinking of it maybe visually. It's just more line cuts. Um, and so that can be frustrating, obviously. So I don't always watch stuff.

It's always like, I do prefer if I like create a show and in producing it, like it's more like, you know, doing a feature where you're kind of in for the whole run.

It's always like, I do prefer if I like create a show and in producing it, like it's more like, you know, doing a feature where you're kind of in for the whole run.

It's always like, I do prefer if I like create a show and in producing it, like it's more like, you know, doing a feature where you're kind of in for the whole run.