Howard Lutnick

Harvey Borden.

Harvey Borden.

Dito Montiel, one of the best directors I've ever worked with, he directed that. He also directed A Guide to Recognizing Your Saints. I mean, it's a really beautiful movie. but he took me through New York. The character was supposed to be like LL Cool J driving a Hummer, pant leg rolled up, you know, it's supposed to be some money guy, and it did not fit what he was doing in the thing.

Dito Montiel, one of the best directors I've ever worked with, he directed that. He also directed A Guide to Recognizing Your Saints. I mean, it's a really beautiful movie. but he took me through New York. The character was supposed to be like LL Cool J driving a Hummer, pant leg rolled up, you know, it's supposed to be some money guy, and it did not fit what he was doing in the thing.

So the director took me through New York. We were walking, and he was like, he tied a string to my leg to... shorten my gape so that I about six inches. So I didn't have the stride that I wanted. And he put a briefcase in my hand and he said, I want you to be I want you to imagine yourself as a 65 year old Jewish woman. trying to express herself inside of an urban area. 65-year-old Jewish woman.

So the director took me through New York. We were walking, and he was like, he tied a string to my leg to... shorten my gape so that I about six inches. So I didn't have the stride that I wanted. And he put a briefcase in my hand and he said, I want you to be I want you to imagine yourself as a 65 year old Jewish woman. trying to express herself inside of an urban area. 65-year-old Jewish woman.

That was Harvey Borden. He was a 65. He had the statements and the intonations and the way he acted, the way he argued. everything, was like a 65-year-old Jewish woman. That was the basis of my character.

That was Harvey Borden. He was a 65. He had the statements and the intonations and the way he acted, the way he argued. everything, was like a 65-year-old Jewish woman. That was the basis of my character.

Maybe. I don't know what they paid him exactly, but they weren't giving him any grace. And, you know, he was phenomenal. He deserved to get higher pay later on. He really did, from the work he did. Why was it? Was there... Did you guys ever talk about it, like a half a million for Robert Downey Jr.? No, he was just coming in.

Maybe. I don't know what they paid him exactly, but they weren't giving him any grace. And, you know, he was phenomenal. He deserved to get higher pay later on. He really did, from the work he did. Why was it? Was there... Did you guys ever talk about it, like a half a million for Robert Downey Jr.? No, he was just coming in.

Remember after we did the first one and it made a billion dollars, they still came to all of us and was like, oh, you know, I know we're supposed to pay you $8 million for the next one, but we're going to, and we did a three-picture deal, we're going to let you come back for a million dollars for one-eighth of what we, even though we had a success with what we did, we're going to let you come back for a million.

Remember after we did the first one and it made a billion dollars, they still came to all of us and was like, oh, you know, I know we're supposed to pay you $8 million for the next one, but we're going to, and we did a three-picture deal, we're going to let you come back for a million dollars for one-eighth of what we, even though we had a success with what we did, we're going to let you come back for a million.

Let you come back? Let you come back. They did that to all of the actors. Marvel came and did the shakedown on everybody.

Let you come back? Let you come back. They did that to all of the actors. Marvel came and did the shakedown on everybody.

Because they can.

Because they can.

Later on, they do. Once they get the lock in, Robert was smart enough, because I bet you by the third one, he got his $20 million. And I can't fault him. You know, the shit that happened to me happened to me. That's just part of the business. You know, it eats you alive. It's not mean. It's just the nature of the monster.

Later on, they do. Once they get the lock in, Robert was smart enough, because I bet you by the third one, he got his $20 million. And I can't fault him. You know, the shit that happened to me happened to me. That's just part of the business. You know, it eats you alive. It's not mean. It's just the nature of the monster.

They said they were going in a different direction. And in the character, because my character was supposed to take over the franchise. But Robert did such a brilliant job that they were like, OK, that's why they hired me first, because my character was supposed to be Rhodes and was supposed to take over. So it was the most important part of it. But with the work that Robert did was so phenomenal.

They said they were going in a different direction. And in the character, because my character was supposed to take over the franchise. But Robert did such a brilliant job that they were like, OK, that's why they hired me first, because my character was supposed to be Rhodes and was supposed to take over. So it was the most important part of it. But with the work that Robert did was so phenomenal.