Hugh Grant

In many ways.

In many ways.

In many ways.

Well, you all know this. It's only about parts. It's just about how good the part is, really. And in the end... The script for Weddings and a Funeral came across my desk, and I auditioned, and they really didn't want me. The guy who wrote it, Richard Curtis, really didn't want me. He thought I was all wrong. But the man who directed it did, and that seemed to help.

Well, you all know this. It's only about parts. It's just about how good the part is, really. And in the end... The script for Weddings and a Funeral came across my desk, and I auditioned, and they really didn't want me. The guy who wrote it, Richard Curtis, really didn't want me. He thought I was all wrong. But the man who directed it did, and that seemed to help.

Well, you all know this. It's only about parts. It's just about how good the part is, really. And in the end... The script for Weddings and a Funeral came across my desk, and I auditioned, and they really didn't want me. The guy who wrote it, Richard Curtis, really didn't want me. He thought I was all wrong. But the man who directed it did, and that seemed to help.

Although I must say, I never really felt I got that part. You know, you get that feeling, don't you, when you think, I'm being rather good, I'm absolutely in character here. I never felt that way. How do you mean? That guy. How do you mean? I couldn't hear him. I have to hear them, and I couldn't hear him. Well, I couldn't anyway off the page.

Although I must say, I never really felt I got that part. You know, you get that feeling, don't you, when you think, I'm being rather good, I'm absolutely in character here. I never felt that way. How do you mean? That guy. How do you mean? I couldn't hear him. I have to hear them, and I couldn't hear him. Well, I couldn't anyway off the page.

Although I must say, I never really felt I got that part. You know, you get that feeling, don't you, when you think, I'm being rather good, I'm absolutely in character here. I never felt that way. How do you mean? That guy. How do you mean? I couldn't hear him. I have to hear them, and I couldn't hear him. Well, I couldn't anyway off the page.

It helped after I finally met Richard Curtis, who wrote it, who is that guy. And so in some ways, I'm just doing an imitation of him in that film.

It helped after I finally met Richard Curtis, who wrote it, who is that guy. And so in some ways, I'm just doing an imitation of him in that film.

It helped after I finally met Richard Curtis, who wrote it, who is that guy. And so in some ways, I'm just doing an imitation of him in that film.

Well, this night of you, I've got better. And that is a mystery. Again, I think it's partly parts. When I got too old and ugly to do romantic comedies and started being offered these weirdo parts, it suited me best.

Well, this night of you, I've got better. And that is a mystery. Again, I think it's partly parts. When I got too old and ugly to do romantic comedies and started being offered these weirdo parts, it suited me best.

Well, this night of you, I've got better. And that is a mystery. Again, I think it's partly parts. When I got too old and ugly to do romantic comedies and started being offered these weirdo parts, it suited me best.

And, you know, I have another weird... I have two theories about it. One is I learned really much too late in my career that you have to mean it, that you have to think it. There's a whole other script behind the script which is all about thoughts and feelings. And prior to that, I'd always just thought, I just need to land this funny line at the right timing. And that's not the way to be good.

And, you know, I have another weird... I have two theories about it. One is I learned really much too late in my career that you have to mean it, that you have to think it. There's a whole other script behind the script which is all about thoughts and feelings. And prior to that, I'd always just thought, I just need to land this funny line at the right timing. And that's not the way to be good.

And, you know, I have another weird... I have two theories about it. One is I learned really much too late in my career that you have to mean it, that you have to think it. There's a whole other script behind the script which is all about thoughts and feelings. And prior to that, I'd always just thought, I just need to land this funny line at the right timing. And that's not the way to be good.

So meaning it was one thing. But the other thing was I have a weird theory that it was having children. I think I was a dried up, middle-aged, golf-addicted Englishman. Then I had children and suddenly I had heart and I had more layers or something.

So meaning it was one thing. But the other thing was I have a weird theory that it was having children. I think I was a dried up, middle-aged, golf-addicted Englishman. Then I had children and suddenly I had heart and I had more layers or something.