Ian Chillag

Well, so we come to you because you wrote the theme to Law & Order, one of the great iconic themes. Thank you. And then, as we understand, Dick Wolf then comes back to you and wants something to mark transitions between scenes.

Well, so we come to you because you wrote the theme to Law & Order, one of the great iconic themes. Thank you. And then, as we understand, Dick Wolf then comes back to you and wants something to mark transitions between scenes.

That's amazing. So you mentioned that the Dundun sound is, I think you said, like a prison door slamming.

That's amazing. So you mentioned that the Dundun sound is, I think you said, like a prison door slamming.

That's amazing. So you mentioned that the Dundun sound is, I think you said, like a prison door slamming.

And I think you said a bunch of men jumping up and down in Japan.

And I think you said a bunch of men jumping up and down in Japan.

And I think you said a bunch of men jumping up and down in Japan.

Okay. So if we were to take a similar approach to composing a new sound for Sam, where we're going to get some samples of different sounds and we want it to be as friendly as possible, what are some sounds you might suggest to come up with a little sonic theme for Sam?

Okay. So if we were to take a similar approach to composing a new sound for Sam, where we're going to get some samples of different sounds and we want it to be as friendly as possible, what are some sounds you might suggest to come up with a little sonic theme for Sam?

Okay. So if we were to take a similar approach to composing a new sound for Sam, where we're going to get some samples of different sounds and we want it to be as friendly as possible, what are some sounds you might suggest to come up with a little sonic theme for Sam?

Right?

Right?

Right?

Yeah.

Yeah.

Yeah.

A little laughter, that's good.

A little laughter, that's good.

A little laughter, that's good.