Isabelle Werro

I was like, that is quite clever.

I'm like, wow.

Yeah, I know.

The amount of work that goes into that.

I mean, I know probably some people who don't read fantasy are like, oh, you can just sit down and write it and make it up.

I was like, no, there is work that goes into it and detail and research.

Like, it's just incredible.

And you have to make it all up.

You can't really rely on existing structures and existing systems.

Make up your own roots and, yeah.

you know, where does, is this all connected?

I think that kind of thing just feeds your conspiracy brain.

Yeah.

That's, I think that's the joy of, yeah, especially fantasy sequels.

Cause I think fantasy, the first book you're kind of

learning about the world, so you're just taking everything in.

Like, yes, you might be theorising about how the end might come about, but I feel like it's the book twos and threes and as the world grows that you really start thinking, okay, but what's going to happen now and where is this going to go?

And just asking all of these questions and, like, if this happens and this would happen, what does it all mean?

It does do some different things because like we said, obviously the love interest, main love interest is separated.

But even just, I think we were talking about this with book one, the fact that Evie as a character is so prominent, like she's a four year old.