Isaiah

We never see what that looks like.

I also like the description we get of this monster where it's like it folds itself up to be smaller, but we don't get any more than that.

It's a giant white lanky thing, but that's all the description.

I thought of Long Horse.

I will say, I think it's more impressive when someone can have that level of, um,

I guess quality or punchiness and they do it for longer.

I think that's more of a feat.

Oh, it is.

The first example that comes to mind is pen pal.

Because Pen Pal had several little vignettes like that, that all connected and each one was like strong, kidding, satisfying.

I feel like that's more impressive, but that's not to say like the setting of the lantern and the tin and stuff like that wasn't incredible.

Wasn't worth the story.

Didn't work so well, flow so well together.

Sure, sure.

There's nothing.

But at the same time, the moments in Pen Pal, those individual punches, I think, worked on their own.

Like the scene of the raft going down the river and her getting hit by the car outside of the theater and stuff like that.

They just work so much better because we do care about the characters.

I've actually never addressed that publicly before.

So thanks for outing me.