Ivanka Trump
π€ SpeakerAppearances Over Time
Podcast Appearances
I had this incredible group of, in this case, women assembled who had very strong points of view themselves. And it created a great team.
I had this incredible group of, in this case, women assembled who had very strong points of view themselves. And it created a great team.
I had this incredible group of, in this case, women assembled who had very strong points of view themselves. And it created a great team.
And that's a really hard thing, especially, I think one of the things that I love most about all of these creative pursuits is that ability to work with the best people. Right now, I'm working with my husband. We have this 1,400-acre island in the Mediterranean, and we're bringing in the best architects and the best brands. But to have a point of view...
And that's a really hard thing, especially, I think one of the things that I love most about all of these creative pursuits is that ability to work with the best people. Right now, I'm working with my husband. We have this 1,400-acre island in the Mediterranean, and we're bringing in the best architects and the best brands. But to have a point of view...
And that's a really hard thing, especially, I think one of the things that I love most about all of these creative pursuits is that ability to work with the best people. Right now, I'm working with my husband. We have this 1,400-acre island in the Mediterranean, and we're bringing in the best architects and the best brands. But to have a point of view...
And to challenge people who are such artists respectfully, but not to be afraid to ask questions. It takes a lot of confidence to do that. And it's hard. So these are actually just internal early renderings. So we're in the process of doing the master planning now.
And to challenge people who are such artists respectfully, but not to be afraid to ask questions. It takes a lot of confidence to do that. And it's hard. So these are actually just internal early renderings. So we're in the process of doing the master planning now.
And to challenge people who are such artists respectfully, but not to be afraid to ask questions. It takes a lot of confidence to do that. And it's hard. So these are actually just internal early renderings. So we're in the process of doing the master planning now.
Yeah, this is an early vision. Yeah. It's going to be extraordinary. Amman's going to operate the hotel for us and there are going to be villas and we have Carbone who's going to be doing the food and beverage. But it's amazing to bring together all of this talent and for me to be able to play around and flex the real estate muscles again and have some fun with it.
Yeah, this is an early vision. Yeah. It's going to be extraordinary. Amman's going to operate the hotel for us and there are going to be villas and we have Carbone who's going to be doing the food and beverage. But it's amazing to bring together all of this talent and for me to be able to play around and flex the real estate muscles again and have some fun with it.
Yeah, this is an early vision. Yeah. It's going to be extraordinary. Amman's going to operate the hotel for us and there are going to be villas and we have Carbone who's going to be doing the food and beverage. But it's amazing to bring together all of this talent and for me to be able to play around and flex the real estate muscles again and have some fun with it.
Well, especially on an island. It's challenging, meaning the logistics of even getting the building materials to an island are no joke, but we will execute on it. And it may not be this, this is sort of, as I said, early conceptual drawings, but it gives a sense of sort of wanting to honor the topography that exists.
Well, especially on an island. It's challenging, meaning the logistics of even getting the building materials to an island are no joke, but we will execute on it. And it may not be this, this is sort of, as I said, early conceptual drawings, but it gives a sense of sort of wanting to honor the topography that exists.
Well, especially on an island. It's challenging, meaning the logistics of even getting the building materials to an island are no joke, but we will execute on it. And it may not be this, this is sort of, as I said, early conceptual drawings, but it gives a sense of sort of wanting to honor the topography that exists.
And, you know, this is obviously very modern, but making it feel right in terms of the context of... of the vegetation and the terrain that exists and not just have a beautiful glass box. Obviously, you want glass. You want to look out and see that gorgeous blue ocean. But how do you do that in a way that doesn't feel generic and isn't a squandered opportunity to create something new?
And, you know, this is obviously very modern, but making it feel right in terms of the context of... of the vegetation and the terrain that exists and not just have a beautiful glass box. Obviously, you want glass. You want to look out and see that gorgeous blue ocean. But how do you do that in a way that doesn't feel generic and isn't a squandered opportunity to create something new?
And, you know, this is obviously very modern, but making it feel right in terms of the context of... of the vegetation and the terrain that exists and not just have a beautiful glass box. Obviously, you want glass. You want to look out and see that gorgeous blue ocean. But how do you do that in a way that doesn't feel generic and isn't a squandered opportunity to create something new?
Yeah, and so much, I mean, so much of architecture you don't see, but it's decisions made. So how do you create independent structures where you look out of one and don't see the other? Mm-hmm.
Yeah, and so much, I mean, so much of architecture you don't see, but it's decisions made. So how do you create independent structures where you look out of one and don't see the other? Mm-hmm.