Jack Posobiec

It's just we want a good show from bands that we know and love.

That's it.

But here's the thing, dude.

If you're booking big bands, Kid Rock, you're going to sell tickets.

You don't need to make it public.

If you guys launch, if this was to be a for-profit venture based off the views that you got, and next you did a festival,

based off those views, is a $100 million operation overnight.

It's not an exaggeration.

A festival that can pull in those kind of live numbers, you think about the amount of sponsors each stage is going to be able to get.

You think about, when I say 100 million, I mean it's a sell, it's a value of.

So I'm picturing that if you started selling advertisements, first you need to plan how many stages, where it's going to be, what's it going to look like, which includes the live stream with an estimated 40 to 50 million, probably more next year.

You're going to bring in like 20 or 30 million dollars in paid sponsorships in advance.

And so festivals like this, based off the conventions and stuff that I've seen in the sales that they've pulled in based on their numbers, this is like a $100 million business.

Just lost it.

Oh, Kellen helped pull something together.

Looks like we're good to go.

Let me grab this.

Uh-oh.

No, no, no.

Uh-oh.