Jack Posobiec

Now, look, I'm not going to sit here and say that I...

I have an email from Roger Goodell that says, you shall not do this, right?

Because they're clean.

They're going to do it clean.

But everybody knows, and this is the way that these elite events work, is that it's a trickle-down system, but they're all connected through the sponsorships, the advertisers, the venues, the musicians, the music rights, the labels.

Because we at times, we're artists.

would tell us, love to do it, can't we?

Because when you start one of these things, of course, you cast a wide net.

You say, okay, who's available?

You look into who's on tour, who's around.

We only had three months to be able to even do this.

And then when it comes to venues, oh, we'd love to do it.

We have availability.

But then something would always happen, Glenn, somewhere along the line in that conversation, which I want to say a very large percentage of people we talked to, suddenly it was, oh, you know, something came up and we just can't do it.

Or, oh, we just can't have it.

And then they play games with the rights to the songs as well, where the artists, because the publishers and the licensors have the song.

This is, of course, people know publicly, this is what happened with X. And I could talk about that too, is they would say, you know, you can have that artist, but they can't play this song, this song, this song, and this song.

Or if you play it, you can't broadcast it on X. Like all of these things.

Or there were even, I'll just say,

there were stuff that we wanted to do and that we had artists who wanted to do that.