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Jacob Szymanski

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1163 total appearances
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Podcast Appearances

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

Have a good one.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

You too.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

That was senior producer Andrika Delano-Raw.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

And that's all the time we have for today's edition of Audiobook Cafe.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

You can listen to the show Fridays and Saturdays at 1 p.m.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

Eastern on AMI-audio, repeating every six hours.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

But you can also find us wherever you listen to podcasts.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

You can leave us your feedback at audiobookcafe at ami.ca.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

And you can follow us on Instagram at AMI Audiobook Cafe.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

I'm Jacob Szymanski.

Audiobook Café
Cursed Daughters: In Conversation with Oyinkan Braithwaite

Happy listening.

Audiobook Café
Quality Prose in Fiction

There's a 1969 interview with Frank Herbert, the author of the Dune series, where at one point he talks about something called phraseology, essentially the study of sentence structure.

Audiobook Café
Quality Prose in Fiction

And he relates it to something he saw as being crucial in crafting quality prose for his works.

Audiobook Café
Quality Prose in Fiction

And that's controlling the reader's rhythm.

Audiobook Café
Quality Prose in Fiction

how do you control the reader's rhythm well he does that by varying the length of sentences varying sentence structure like putting the action at the front in one sentence and then at the end at the other and then he'll even make sure that the words within a sentence are of varying lengths so have a couple two syllable words couple one syllable words and maybe a three or

Audiobook Café
Quality Prose in Fiction

four syllable word here and there, switch it up.

Audiobook Café
Quality Prose in Fiction

The goal is to keep his writing from being rhythmically monotonous.

Audiobook Café
Quality Prose in Fiction

And people who do a lot of public speaking know that being deliberate in your pacing and varying your pacing is super important for maintaining the crowd's engagement.

Audiobook Café
Quality Prose in Fiction

And this is true whether you're talking to a crowd of a thousand people or just one friend at a coffee shop.

Audiobook Café
Quality Prose in Fiction

And Frank Herbert recognized this, but he took it further.