Jade Cargill

Good work for hip hop.

I think at some point or another, we all need and feed off of each other.

In this space, you know, whether it's competitive, whether it's, you know, because we don't like each other, whether it's because we don't think that, you know, this person's work is good or whatever, whatever.

So you want to kind of work harder so you can kind of get these people out the way, whatever it may be.

Let's just continue to keep doing good work and keep putting hip hop first in this space that we're in, because that's that's really what matters at the end of the day.

I agree with you and I love all that positivity, but now I'm here for a messy mood.

Are you?

Oh, okay, good.

Get messy.

Well, no, I'll start with positivity.

Black Boy Max at number four, I can make a case that he should be higher.

I love everything Black Boy's been doing.

His entire series of In the Booth, of actually having rappers come in there and make music in real time on stream, that to me is the definition of hip-hop media and not streaming gossip bullshit.

If we're doing hip hop media, you could make a case that Black Boy Max is one or two in that regard.

If we're talking about hip hop media, everything that we're doing here is for hip hop.

I think he should be higher.

He wasn't even on it last year, but I guess that just speaks to the year that he's had.

He went from not on the list at all to number four.

So I agree with that.

The Kai thing is what I saw stirred up a lot of conversation.