Jake Brennan (Host)

Zeth and I are breaking it all down this week.

And this film should be played loud.

You're not going to want to miss this episode.

I think this is our sixth or seventh episode of This Film Should Be Played Loud.

Our monthly conversation, video conversation, I might add, on great music from great films.

Go to disgracesandpod.com.

Come in all access members so you can access this great exclusive content, if I do say so myself.

Matt, give the people a little taste of what we are cooking up in This Film Should Be Played Loud.

I could also see Wes Anderson just being a professional and respective of one of the great artists of all time.

Correct.

And really seeing it through his eyes and understanding exactly what the guy needs.

And Wes Anderson being the seasoned professional that he is, he's not taking it like, oh, what a fucking egomaniac dickhead.

You know what I mean?

But Alec Baldwin doing the VO begs the question, why didn't Gene Hackman do the VO?

Because I think it feels more like a book to me.

Yeah, of course.

But doesn't your brain tell you it's coming from Gene Hackman's perspective?

Not his perspective, but that it's the Gene Hackman character narrating it?

And if you're Wes Anderson, wouldn't you go, because it does sound like Gene Hackman, wouldn't you go like, this is too, if you really wanted it to be this omniscient kind of narrator voice that's separate from the whole thing, if you're Wes Anderson, wouldn't you go like, this is too much like Gene Hackman?

Perhaps, yeah.