Menu
Sign In Search Podcasts Libraries Charts People & Topics Add Podcast API Blog Pricing

Jake Brennan

πŸ‘€ Speaker
See mentions of this person in podcasts
10971 total appearances
Voice ID

Voice Profile Active

This person's voice can be automatically recognized across podcast episodes using AI voice matching.

Voice samples: 3
Confidence: High

Appearances Over Time

Podcast Appearances

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

Before he could say anything though, D-Doodle the duck squawked out, in Billy's direction.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

The old man just rolled his eyes from where he sat on the couch.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

George stared at D-Doodle till he sat down quietly on the couch next to the old man.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

And with everything quiet, George nodded toward Billy, rubbed his temples, and walked up to the mic.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

It was February.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

1980.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

George was only a month out of rehab, but he was already sliding back into familiar patterns.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

There was one nice thing about drying out for 40 days, though.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

It punctured a hole in his cocaine-induced haze.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

D-Doodle and the old man were still hovering over his shoulder, but at least their voices weren't quite as loud.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

George had spent the last four hours passed out on a couch in the corner of the main tracking room at Columbia's Studio B on Nashville's Music Row, which meant he hadn't taken a drink in four hours, which meant he was probably the most sober Billy Shirell had seen him in months.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

If they were ever going to finish this downer of a song, this was probably their best chance.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

As Billy rewound the tape in the control room, George looked around the galvanized steel hut that made up Columbia's Studio B. Most artists these days like tracking in Columbia's more modern Studio A, but George and Billy still liked the old Quonset hut on the back of the property.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

The room had history.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

When producer Owen Bradley opened the studio in the 1950s, it was the first music business on the street.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

By the time he sold it a decade later, they were calling the block Music Row.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

The room had personal history for Billy and for George, too.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

Here, Billy had charted the ups and downs of George and Tammy's love affair from the rosy early days with ballads like Take Me to the hints of Stormy Weather and We're Gonna Hold On and on through the fading love of Golden Ring.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

Now, Billy was trying to get George to finish the song that he was convinced would be the perfect finale for the George and Tammy saga.

DISGRACELAND
George Jones: Voices, Vices, and a Comeback for the Ages

Even if no one else, not even George Jones, believed it.