James Mangold

What if it's complex to the point that it can't be reduced to one specific or kind of one kind of Hazing or torture or trauma. What if it's more of an equation? Or what if it isn't even, what if, I mean, this is a lot of what 70s and 80s Psycho, what if it's chemical? What if it isn't even trauma at all? What if it's a kind of, your burden is who you are and how you're wired.

What if it's complex to the point that it can't be reduced to one specific or kind of one kind of Hazing or torture or trauma. What if it's more of an equation? Or what if it isn't even, what if, I mean, this is a lot of what 70s and 80s Psycho, what if it's chemical? What if it isn't even trauma at all? What if it's a kind of, your burden is who you are and how you're wired.

And the narrative has had a struggle kind of telling stories like that because it defeats, in a way, we have a very, or a kind of Aristotelian desire for kind of the simple thing that's going to get revealed. For a story's point of view, that there's something from the past that's impacting the present and the second they solve the shit from the past, the present opens. But

And the narrative has had a struggle kind of telling stories like that because it defeats, in a way, we have a very, or a kind of Aristotelian desire for kind of the simple thing that's going to get revealed. For a story's point of view, that there's something from the past that's impacting the present and the second they solve the shit from the past, the present opens. But

And the narrative has had a struggle kind of telling stories like that because it defeats, in a way, we have a very, or a kind of Aristotelian desire for kind of the simple thing that's going to get revealed. For a story's point of view, that there's something from the past that's impacting the present and the second they solve the shit from the past, the present opens. But

As I began working, both talking to Dylan and writing and researching, it kept occurring to me that either, what if what's unusual about him is more hardwired than trauma-inspired?

As I began working, both talking to Dylan and writing and researching, it kept occurring to me that either, what if what's unusual about him is more hardwired than trauma-inspired?

As I began working, both talking to Dylan and writing and researching, it kept occurring to me that either, what if what's unusual about him is more hardwired than trauma-inspired?

Ja, es ist so interessant, weil ich... Teil davon ist, wenn du über jemanden schreibst und du sie kennst und mit ihnen spielst und sie sind sehr freundlich und enthussiastisch und du auch in einer Art und Weise, natürlich, ich gehe auf einen tiefen Dive in sein Werk, mache ein Film wie dieses und du...

Ja, es ist so interessant, weil ich... Teil davon ist, wenn du über jemanden schreibst und du sie kennst und mit ihnen spielst und sie sind sehr freundlich und enthussiastisch und du auch in einer Art und Weise, natürlich, ich gehe auf einen tiefen Dive in sein Werk, mache ein Film wie dieses und du...

Ja, es ist so interessant, weil ich... Teil davon ist, wenn du über jemanden schreibst und du sie kennst und mit ihnen spielst und sie sind sehr freundlich und enthussiastisch und du auch in einer Art und Weise, natürlich, ich gehe auf einen tiefen Dive in sein Werk, mache ein Film wie dieses und du...

die von der Größe, der Macht und der prolifizierten Art ihres Werks entdeckt werden, beginnst du, sehr empathisch zu ihnen zu werden. In dem Sinne, dass die einfachen Adjektive, die in den TV-Guide-Versionen beschrieben werden, enigmatisch, mysteriös, ehrgeizig, schwierig, zu einfach werden.

die von der Größe, der Macht und der prolifizierten Art ihres Werks entdeckt werden, beginnst du, sehr empathisch zu ihnen zu werden. In dem Sinne, dass die einfachen Adjektive, die in den TV-Guide-Versionen beschrieben werden, enigmatisch, mysteriös, ehrgeizig, schwierig, zu einfach werden.

die von der Größe, der Macht und der prolifizierten Art ihres Werks entdeckt werden, beginnst du, sehr empathisch zu ihnen zu werden. In dem Sinne, dass die einfachen Adjektive, die in den TV-Guide-Versionen beschrieben werden, enigmatisch, mysteriös, ehrgeizig, schwierig, zu einfach werden.

Well, I don't mean empathic like I don't have objectivity to see when he's an asshole.

Well, I don't mean empathic like I don't have objectivity to see when he's an asshole.

Well, I don't mean empathic like I don't have objectivity to see when he's an asshole.

It just kind of happened. It was exciting. But at first what I did creatively on the screenplay level was make this kind of mandate to myself that I wasn't going to do the kind of story we were just discussing for Walk the Line, the kind of classic trauma.

It just kind of happened. It was exciting. But at first what I did creatively on the screenplay level was make this kind of mandate to myself that I wasn't going to do the kind of story we were just discussing for Walk the Line, the kind of classic trauma.

It just kind of happened. It was exciting. But at first what I did creatively on the screenplay level was make this kind of mandate to myself that I wasn't going to do the kind of story we were just discussing for Walk the Line, the kind of classic trauma.