James Mangold

Aber um es dramatisch zu machen und den Schauspielern zu helfen, es zu leben, habe ich mich gefühlt, dass das Wunder, das von Dylan selbst kommt, mit dem Sinn der extrem persönlichen Gefühle, die all das für alle führten, How uncomfortable for Pete Seeger that he's this... Seeger and Dylan are such different artists, which is so interesting to evaluate.

Seeger probably wrote a handful of songs in his whole life where Dylan has written over 600, 700 songs of humongous importance to the culture and hits. What is the difference? Seegers focus was building a movement, was changing the world.

Seeger probably wrote a handful of songs in his whole life where Dylan has written over 600, 700 songs of humongous importance to the culture and hits. What is the difference? Seegers focus was building a movement, was changing the world.

Seeger probably wrote a handful of songs in his whole life where Dylan has written over 600, 700 songs of humongous importance to the culture and hits. What is the difference? Seegers focus was building a movement, was changing the world.

Thank God for the beatniks. Right. And that the... So, you almost have them destined for a kind of conflict from the moment they're bound together because to Pete, Bob is not just an incredibly talented artist, but an instrument for elevating the movement and advancing the movement.

Thank God for the beatniks. Right. And that the... So, you almost have them destined for a kind of conflict from the moment they're bound together because to Pete, Bob is not just an incredibly talented artist, but an instrument for elevating the movement and advancing the movement.

Thank God for the beatniks. Right. And that the... So, you almost have them destined for a kind of conflict from the moment they're bound together because to Pete, Bob is not just an incredibly talented artist, but an instrument for elevating the movement and advancing the movement.

To Bob, Pete is a stage and a platform for which to get started in this world as an artist and to find an audience and to find a community. But the... The goals, the agendas of each character were never alike. And Joan, to one degree or another, was very much bought into the folk dogma. Many of the artists, most of the arguments and discussions were, what is folk, what isn't folk?

To Bob, Pete is a stage and a platform for which to get started in this world as an artist and to find an audience and to find a community. But the... The goals, the agendas of each character were never alike. And Joan, to one degree or another, was very much bought into the folk dogma. Many of the artists, most of the arguments and discussions were, what is folk, what isn't folk?

To Bob, Pete is a stage and a platform for which to get started in this world as an artist and to find an audience and to find a community. But the... The goals, the agendas of each character were never alike. And Joan, to one degree or another, was very much bought into the folk dogma. Many of the artists, most of the arguments and discussions were, what is folk, what isn't folk?

Some more so than others, maybe. Or maybe what drives them is essentially more internal than others.

Some more so than others, maybe. Or maybe what drives them is essentially more internal than others.

Some more so than others, maybe. Or maybe what drives them is essentially more internal than others.

But I don't necessarily see that as arrogance. No, no. That's kind of like any one of us. Sure. I don't, I identify in my own humble way with it. I've made movies of a lot of different genre. I've made independent Sundance films. I've made gigantic studio pictures. Yeah. From where I sit, the experience is awfully similar.

But I don't necessarily see that as arrogance. No, no. That's kind of like any one of us. Sure. I don't, I identify in my own humble way with it. I've made movies of a lot of different genre. I've made independent Sundance films. I've made gigantic studio pictures. Yeah. From where I sit, the experience is awfully similar.

But I don't necessarily see that as arrogance. No, no. That's kind of like any one of us. Sure. I don't, I identify in my own humble way with it. I've made movies of a lot of different genre. I've made independent Sundance films. I've made gigantic studio pictures. Yeah. From where I sit, the experience is awfully similar.

I'm not sure if you find it that different, but you essentially have to get in a space with a camera, make a scene seem real. The core tasks at hand don't change much.

I'm not sure if you find it that different, but you essentially have to get in a space with a camera, make a scene seem real. The core tasks at hand don't change much.

I'm not sure if you find it that different, but you essentially have to get in a space with a camera, make a scene seem real. The core tasks at hand don't change much.

So what was so intriguing to me about the story of this period for Dylan and why I thought, because I didn't want to make, I'm not, I wasn't such a Bob Dylan superfan that I was like driven to make a Bob Dylan movie. Well, that's helpful.