James Mangold

That became what I just described became for Timothy and I at least one kind of tool to help him maintain a secondary active brain life and emotional life in every scene that in a sense was leaving everyone else out. So you explained to him... We talked a lot about it.

But it's also, I don't view myself, Timmy was also doing, we did, I mean, he was with me on this for almost five and a half years of work.

But it's also, I don't view myself, Timmy was also doing, we did, I mean, he was with me on this for almost five and a half years of work.

But it's also, I don't view myself, Timmy was also doing, we did, I mean, he was with me on this for almost five and a half years of work.

He was, in learning the music, in entering Bob through the music, which is largely what he did, I think he was encountering from his own end, I mean, I was telling him all I had learned from Dylan and all I was observing, but I think he was absorbing on his own end a kind of,

He was, in learning the music, in entering Bob through the music, which is largely what he did, I think he was encountering from his own end, I mean, I was telling him all I had learned from Dylan and all I was observing, but I think he was absorbing on his own end a kind of,

He was, in learning the music, in entering Bob through the music, which is largely what he did, I think he was encountering from his own end, I mean, I was telling him all I had learned from Dylan and all I was observing, but I think he was absorbing on his own end a kind of,

similar observation which is these streams of thought and music could only come to someone what that only comes to him between like he's nine to five punches a clock and and you know it's it's when it comes it comes and you gotta you gotta write it down and it doesn't matter if you're in your girlfriend's bedroom or if you're if it's 3 a.m. or or you're in your dressing room yeah

similar observation which is these streams of thought and music could only come to someone what that only comes to him between like he's nine to five punches a clock and and you know it's it's when it comes it comes and you gotta you gotta write it down and it doesn't matter if you're in your girlfriend's bedroom or if you're if it's 3 a.m. or or you're in your dressing room yeah

similar observation which is these streams of thought and music could only come to someone what that only comes to him between like he's nine to five punches a clock and and you know it's it's when it comes it comes and you gotta you gotta write it down and it doesn't matter if you're in your girlfriend's bedroom or if you're if it's 3 a.m. or or you're in your dressing room yeah

Shit's got to stop for you to get this down because it's good. And that struggle, that tension internal, as you said, became a way to not play aloof as a condition, arrogance as a condition, but to play, well, it's not arrogance. I'm actually carrying on. I'm actually trying to be polite to my other conversation as well." Das heißt, ich versuche, zu beiden gemeinsamen Gesprächen zu sein.

Shit's got to stop for you to get this down because it's good. And that struggle, that tension internal, as you said, became a way to not play aloof as a condition, arrogance as a condition, but to play, well, it's not arrogance. I'm actually carrying on. I'm actually trying to be polite to my other conversation as well." Das heißt, ich versuche, zu beiden gemeinsamen Gesprächen zu sein.

Shit's got to stop for you to get this down because it's good. And that struggle, that tension internal, as you said, became a way to not play aloof as a condition, arrogance as a condition, but to play, well, it's not arrogance. I'm actually carrying on. I'm actually trying to be polite to my other conversation as well." Das heißt, ich versuche, zu beiden gemeinsamen Gesprächen zu sein.

Und manchmal verliere ich meine kreative Stimme und manchmal verliere ich definitiv mein inneres Leben.

Und manchmal verliere ich meine kreative Stimme und manchmal verliere ich definitiv mein inneres Leben.

Und manchmal verliere ich meine kreative Stimme und manchmal verliere ich definitiv mein inneres Leben.

Yes, we're hearing them.

Yes, we're hearing them.

Yes, we're hearing them.

And in many ways, I feel like, I mean, some of it's silent in the sense that you're just drawing it off Edward Norton's eyes or Monica Barbaros' eyes. You're just looking at these people and you're seeing not just admiration, but