Jan Böhmermann

Yeah, but Klaas is a much better singer than I am, an excellent singer. You have to say that. He has that green Mayan timbre in his voice. And he can also sing Sinatra incredibly well. If Tom Gable doesn't continue one day, Klaas Heufel can take over the tour of Tom Gable. The German Frank Sinatra is Klaas, I think.

And he looked like he had a limoncello, a yellow shirt and this new upper body. He's doing body modulation now, isn't he?

And he looked like he had a limoncello, a yellow shirt and this new upper body. He's doing body modulation now, isn't he?

And he looked like he had a limoncello, a yellow shirt and this new upper body. He's doing body modulation now, isn't he?

Psychotherapy just for the body. Klaas sang really well and then Merlin Sandmeier was there as Jonas Schulze from the Discounter and sang Party in Bildstätten with the orchestra and I have to say, that's what I'm going to clean up for you this evening. In Berlin, right? In Berlin and also in Hamburg yesterday.

Psychotherapy just for the body. Klaas sang really well and then Merlin Sandmeier was there as Jonas Schulze from the Discounter and sang Party in Bildstätten with the orchestra and I have to say, that's what I'm going to clean up for you this evening. In Berlin, right? In Berlin and also in Hamburg yesterday.

Psychotherapy just for the body. Klaas sang really well and then Merlin Sandmeier was there as Jonas Schulze from the Discounter and sang Party in Bildstätten with the orchestra and I have to say, that's what I'm going to clean up for you this evening. In Berlin, right? In Berlin and also in Hamburg yesterday.

Yes, because he is a resident at the Thalia Theater, he is often in Hamburg anyway. And then yesterday evening, the people are really outflipped. That was really a short Mallorca moment. The next time were really great shows. But I had in Berlin, and I have to get into the soul of the artist briefly, I had in Berlin

Yes, because he is a resident at the Thalia Theater, he is often in Hamburg anyway. And then yesterday evening, the people are really outflipped. That was really a short Mallorca moment. The next time were really great shows. But I had in Berlin, and I have to get into the soul of the artist briefly, I had in Berlin

Yes, because he is a resident at the Thalia Theater, he is often in Hamburg anyway. And then yesterday evening, the people are really outflipped. That was really a short Mallorca moment. The next time were really great shows. But I had in Berlin, and I have to get into the soul of the artist briefly, I had in Berlin

There was a mojo suck up, I'll call it that, a mojo damper just before the show, where things happen, where you think, where I got angry, which rarely happens, but when you're at the end of the tour, you're thin-skinned and you're broken and so on. Everyone was a little down.

There was a mojo suck up, I'll call it that, a mojo damper just before the show, where things happen, where you think, where I got angry, which rarely happens, but when you're at the end of the tour, you're thin-skinned and you're broken and so on. Everyone was a little down.

There was a mojo suck up, I'll call it that, a mojo damper just before the show, where things happen, where you think, where I got angry, which rarely happens, but when you're at the end of the tour, you're thin-skinned and you're broken and so on. Everyone was a little down.

And we had our collective, I don't want to say, there was no dispute or anything like that, but everyone was a little bit, on the last block before Berlin, everyone was a little bit down. The orchestra had been in the bus all the time, sitting together for too long and stuff. And then there were somehow so, so, uh, content conversations where everyone wanted to piss off, but so...

And we had our collective, I don't want to say, there was no dispute or anything like that, but everyone was a little bit, on the last block before Berlin, everyone was a little bit down. The orchestra had been in the bus all the time, sitting together for too long and stuff. And then there were somehow so, so, uh, content conversations where everyone wanted to piss off, but so...

And we had our collective, I don't want to say, there was no dispute or anything like that, but everyone was a little bit, on the last block before Berlin, everyone was a little bit down. The orchestra had been in the bus all the time, sitting together for too long and stuff. And then there were somehow so, so, uh, content conversations where everyone wanted to piss off, but so...

120 minutes before the show. And for me, it's really like when I go to Lorenz and pull all the plugs out of the keyboard, like 20 minutes before the show and say, okay, let's go. Because I'm really, that takes so much energy that I was really angry on stage. And then Dominik, who makes our light, said, hello at the FOH place. I went to my manager and said, something is different.

120 minutes before the show. And for me, it's really like when I go to Lorenz and pull all the plugs out of the keyboard, like 20 minutes before the show and say, okay, let's go. Because I'm really, that takes so much energy that I was really angry on stage. And then Dominik, who makes our light, said, hello at the FOH place. I went to my manager and said, something is different.

120 minutes before the show. And for me, it's really like when I go to Lorenz and pull all the plugs out of the keyboard, like 20 minutes before the show and say, okay, let's go. Because I'm really, that takes so much energy that I was really angry on stage. And then Dominik, who makes our light, said, hello at the FOH place. I went to my manager and said, something is different.

I was really angry. I got on stage and nothing was right anymore. Everything that was so fine-tuned, where you knew that everything was good, was broken in one evening. That was completely stupid.