Jan Böhmermann

But I think at that moment, you can see what a great comedian he is, I think it was the drink orders for the whole team, because everyone ordered something to drink and Harpe then used the moment when all the drinks were put on his little bistro table.

to make a joke that's only good because you've already thought about it or already done it yourself, to go to the café alone and order a drink more when you don't feel like it, to go to the waiter when you just know, 0.2 cola is not enough for me, I want 0.4, order me two right away. Who knows when they will come back.

to make a joke that's only good because you've already thought about it or already done it yourself, to go to the café alone and order a drink more when you don't feel like it, to go to the waiter when you just know, 0.2 cola is not enough for me, I want 0.4, order me two right away. Who knows when they will come back.

to make a joke that's only good because you've already thought about it or already done it yourself, to go to the café alone and order a drink more when you don't feel like it, to go to the waiter when you just know, 0.2 cola is not enough for me, I want 0.4, order me two right away. Who knows when they will come back.

Followed by you. He was also the first to do all these wild reportage things. And he told that. And I thought that was great. Because I still know Birgit Reckmeyer, his editors from stories. And I have it in the last half year of my volunteering, no, of my internship at Radio Bremen. When I started as an intern, Birgit Reckmeyer was still there at Radio Bremen, in Hans-Bredow-Straße.

Followed by you. He was also the first to do all these wild reportage things. And he told that. And I thought that was great. Because I still know Birgit Reckmeyer, his editors from stories. And I have it in the last half year of my volunteering, no, of my internship at Radio Bremen. When I started as an intern, Birgit Reckmeyer was still there at Radio Bremen, in Hans-Bredow-Straße.

Followed by you. He was also the first to do all these wild reportage things. And he told that. And I thought that was great. Because I still know Birgit Reckmeyer, his editors from stories. And I have it in the last half year of my volunteering, no, of my internship at Radio Bremen. When I started as an intern, Birgit Reckmeyer was still there at Radio Bremen, in Hans-Bredow-Straße.

In Bremen, Mahndorf, Osterholz. No, what's it called? Sebaldsbrück. Yes, Sebaldsbrück, exactly. There was the old radio complex of Radio Bremen and there was really the call of the entertainment editor Birgit Reckmeyer waved through this old television building. And Birgit Reckmeyer was also interviewed, she's still alive, I was really happy for this documentary.

In Bremen, Mahndorf, Osterholz. No, what's it called? Sebaldsbrück. Yes, Sebaldsbrück, exactly. There was the old radio complex of Radio Bremen and there was really the call of the entertainment editor Birgit Reckmeyer waved through this old television building. And Birgit Reckmeyer was also interviewed, she's still alive, I was really happy for this documentary.

In Bremen, Mahndorf, Osterholz. No, what's it called? Sebaldsbrück. Yes, Sebaldsbrück, exactly. There was the old radio complex of Radio Bremen and there was really the call of the entertainment editor Birgit Reckmeyer waved through this old television building. And Birgit Reckmeyer was also interviewed, she's still alive, I was really happy for this documentary.

And Harpe just always, whenever he told about her, he just copied her. And this copying of the entertainment editor Birgit Reckmeyer, I still know that from others, from colleagues who have always done that, how the harp has played.

And Harpe just always, whenever he told about her, he just copied her. And this copying of the entertainment editor Birgit Reckmeyer, I still know that from others, from colleagues who have always done that, how the harp has played.

And Harpe just always, whenever he told about her, he just copied her. And this copying of the entertainment editor Birgit Reckmeyer, I still know that from others, from colleagues who have always done that, how the harp has played.

And that, for example, as an editor in this legendary story, where he drove up to the Federal Presidium site, Schloss Bellevue, as Queen Beatrice, that she was lying down on her feet. That the editors all the time, outside the camera, Birgit Reckmeyer, when she speaks, she's always like, that's what you're doing now, harp, that's what you're doing now.

And that, for example, as an editor in this legendary story, where he drove up to the Federal Presidium site, Schloss Bellevue, as Queen Beatrice, that she was lying down on her feet. That the editors all the time, outside the camera, Birgit Reckmeyer, when she speaks, she's always like, that's what you're doing now, harp, that's what you're doing now.

And that, for example, as an editor in this legendary story, where he drove up to the Federal Presidium site, Schloss Bellevue, as Queen Beatrice, that she was lying down on her feet. That the editors all the time, outside the camera, Birgit Reckmeyer, when she speaks, she's always like, that's what you're doing now, harp, that's what you're doing now.

She always teased him and because he is such a person in need of harmony, you also notice in the whole documentary, a very nice guy actually. Like us, basically. Yes. But was then driven to these edgy actions and she was down there in the foothill and said, we're going through now, we're going to do that now. So, and he's copying her all the time. Oh, I thought that was nice.

She always teased him and because he is such a person in need of harmony, you also notice in the whole documentary, a very nice guy actually. Like us, basically. Yes. But was then driven to these edgy actions and she was down there in the foothill and said, we're going through now, we're going to do that now. So, and he's copying her all the time. Oh, I thought that was nice.

She always teased him and because he is such a person in need of harmony, you also notice in the whole documentary, a very nice guy actually. Like us, basically. Yes. But was then driven to these edgy actions and she was down there in the foothill and said, we're going through now, we're going to do that now. So, and he's copying her all the time. Oh, I thought that was nice.

And now he's still on Instagram. Well, I think that's not just his merit, but I think it's great and I think it's good to celebrate. I also think it's great that he was just gone, that he had this mode of always kicking off for half a year and stuff. That Horst Schlemmer alone could, if people think of figures like Horst Schlemmer, Cindy from Marzahn, Ilka Bersin did that once.