Jane Rosenberg

John Gotti, Glenn Maxwell, Trump trials, Harvey Weinstein, everything that you can think of, I probably was there. How did you end up getting into this? I was always an artist. I loved drawing people. I was a struggling artist. After college, I did portraits. I did whatever I could for it to earn a dollar. I drew on the sidewalks with a hat out, did copies of Vermeer and Rembrandt.

John Gotti, Glenn Maxwell, Trump trials, Harvey Weinstein, everything that you can think of, I probably was there. How did you end up getting into this? I was always an artist. I loved drawing people. I was a struggling artist. After college, I did portraits. I did whatever I could for it to earn a dollar. I drew on the sidewalks with a hat out, did copies of Vermeer and Rembrandt.

John Gotti, Glenn Maxwell, Trump trials, Harvey Weinstein, everything that you can think of, I probably was there. How did you end up getting into this? I was always an artist. I loved drawing people. I was a struggling artist. After college, I did portraits. I did whatever I could for it to earn a dollar. I drew on the sidewalks with a hat out, did copies of Vermeer and Rembrandt.

And then I saw another courtroom artist do a lecture. at the Society of Illustrators. And I thought, oh, I would love to do that. So I started to go to court and practice. I asked the court officers, where do the artists sit? What do they bring? I asked so many questions. They finally said, okay, come next week. We'll let you sit with the other artists.

And then I saw another courtroom artist do a lecture. at the Society of Illustrators. And I thought, oh, I would love to do that. So I started to go to court and practice. I asked the court officers, where do the artists sit? What do they bring? I asked so many questions. They finally said, okay, come next week. We'll let you sit with the other artists.

And then I saw another courtroom artist do a lecture. at the Society of Illustrators. And I thought, oh, I would love to do that. So I started to go to court and practice. I asked the court officers, where do the artists sit? What do they bring? I asked so many questions. They finally said, okay, come next week. We'll let you sit with the other artists.

I did my sketch and there were only two other artists that I thought, ugh, I really should try to sell this. So I called NBC and said, come on in, let's see what you've got. And that's how it started.

I did my sketch and there were only two other artists that I thought, ugh, I really should try to sell this. So I called NBC and said, come on in, let's see what you've got. And that's how it started.

I did my sketch and there were only two other artists that I thought, ugh, I really should try to sell this. So I called NBC and said, come on in, let's see what you've got. And that's how it started.

I don't know. If I've captured the energy that's happening and I happen to, if I have more time, I usually do better work. The initial sketches I do of somebody, you might not have enough time because an arraignment is really quick. It could be just five minutes or less for an arraignment.

I don't know. If I've captured the energy that's happening and I happen to, if I have more time, I usually do better work. The initial sketches I do of somebody, you might not have enough time because an arraignment is really quick. It could be just five minutes or less for an arraignment.

I don't know. If I've captured the energy that's happening and I happen to, if I have more time, I usually do better work. The initial sketches I do of somebody, you might not have enough time because an arraignment is really quick. It could be just five minutes or less for an arraignment.

But then as a trial, there are pre-trial hearings that go on longer and it depends where I'm sitting and what my view is and how much time I have. That's what I have to deal with.

But then as a trial, there are pre-trial hearings that go on longer and it depends where I'm sitting and what my view is and how much time I have. That's what I have to deal with.

But then as a trial, there are pre-trial hearings that go on longer and it depends where I'm sitting and what my view is and how much time I have. That's what I have to deal with.

At other people's, how about my own? I still got myself a lot. I go, oh God. And I try to fix it up for myself because everybody sends it out. You all see my bad ones. Too bad on me. So it's out there and I can't change what you see, but I can try to like struggle myself and go, oh, if only I had made his nose shorter or whatever. It's hard to get that to work out right from the start.

At other people's, how about my own? I still got myself a lot. I go, oh God. And I try to fix it up for myself because everybody sends it out. You all see my bad ones. Too bad on me. So it's out there and I can't change what you see, but I can try to like struggle myself and go, oh, if only I had made his nose shorter or whatever. It's hard to get that to work out right from the start.

At other people's, how about my own? I still got myself a lot. I go, oh God. And I try to fix it up for myself because everybody sends it out. You all see my bad ones. Too bad on me. So it's out there and I can't change what you see, but I can try to like struggle myself and go, oh, if only I had made his nose shorter or whatever. It's hard to get that to work out right from the start.

I know I'm going to have to get the defendant. I know I have to get that likeness. And then if I have more time, I'll put in some lawyers. Like I just did Luigi Mangione arraignment. a couple of days ago. I did Diddy and Mangione on the same day. Boy, that was a rough day. But I knew I had to get him.

I know I'm going to have to get the defendant. I know I have to get that likeness. And then if I have more time, I'll put in some lawyers. Like I just did Luigi Mangione arraignment. a couple of days ago. I did Diddy and Mangione on the same day. Boy, that was a rough day. But I knew I had to get him.