Jane Rosenberg

Junior. He said, make me look sexy. And he showed me an AI image of Sam Bagman Freed. And he said, look at this. And he said, you made him look like a superstar. Can't you do that with me? And I said, It's like, that's fake, the AI image. You know, somebody named Sam Backwood-Freen looked real handsome. You wanted to look real handsome too.

Junior. He said, make me look sexy. And he showed me an AI image of Sam Bagman Freed. And he said, look at this. And he said, you made him look like a superstar. Can't you do that with me? And I said, It's like, that's fake, the AI image. You know, somebody named Sam Backwood-Freen looked real handsome. You wanted to look real handsome too.

Junior. He said, make me look sexy. And he showed me an AI image of Sam Bagman Freed. And he said, look at this. And he said, you made him look like a superstar. Can't you do that with me? And I said, It's like, that's fake, the AI image. You know, somebody named Sam Backwood-Freen looked real handsome. You wanted to look real handsome too.

biggest thing that I've learned that it's just a piece of history and then it goes news cycles are fickle you never know suddenly they're really into something and then nobody cares do you feel like this is a big responsibility when you're doing it or do you just crack on with the sketches I feel tremendous responsibility to do my best to be there on time to try to get a good seat.

biggest thing that I've learned that it's just a piece of history and then it goes news cycles are fickle you never know suddenly they're really into something and then nobody cares do you feel like this is a big responsibility when you're doing it or do you just crack on with the sketches I feel tremendous responsibility to do my best to be there on time to try to get a good seat.

biggest thing that I've learned that it's just a piece of history and then it goes news cycles are fickle you never know suddenly they're really into something and then nobody cares do you feel like this is a big responsibility when you're doing it or do you just crack on with the sketches I feel tremendous responsibility to do my best to be there on time to try to get a good seat.

I'm a very responsible and reliable person, but I'm not really thinking about the world depending on me at that moment. That would just be too much. I'm thinking about me trying to do my best. That's what I do with my job. It's for me to do my very best that I can do to make a good sketch.

I'm a very responsible and reliable person, but I'm not really thinking about the world depending on me at that moment. That would just be too much. I'm thinking about me trying to do my best. That's what I do with my job. It's for me to do my very best that I can do to make a good sketch.

I'm a very responsible and reliable person, but I'm not really thinking about the world depending on me at that moment. That would just be too much. I'm thinking about me trying to do my best. That's what I do with my job. It's for me to do my very best that I can do to make a good sketch.

My goal is to capture somebody else's emotion, not my own feeling about the person. So people think, well, aren't you editorializing? It's not that. I'm watching somebody else. And if they're... leaning back or looking pompous, a certain body language, arms crossed, or if they're crying or any emotion that whoever I'm drawing is depicting is what I'm trying to capture in my sketch.

My goal is to capture somebody else's emotion, not my own feeling about the person. So people think, well, aren't you editorializing? It's not that. I'm watching somebody else. And if they're... leaning back or looking pompous, a certain body language, arms crossed, or if they're crying or any emotion that whoever I'm drawing is depicting is what I'm trying to capture in my sketch.

My goal is to capture somebody else's emotion, not my own feeling about the person. So people think, well, aren't you editorializing? It's not that. I'm watching somebody else. And if they're... leaning back or looking pompous, a certain body language, arms crossed, or if they're crying or any emotion that whoever I'm drawing is depicting is what I'm trying to capture in my sketch.

I'm not going for what I feel. It's not my opinion. It's the same thing for a writer or for any kind of journalist. You have to go for what is happening out there, not for what your opinion is.

I'm not going for what I feel. It's not my opinion. It's the same thing for a writer or for any kind of journalist. You have to go for what is happening out there, not for what your opinion is.

I'm not going for what I feel. It's not my opinion. It's the same thing for a writer or for any kind of journalist. You have to go for what is happening out there, not for what your opinion is.

One time a terrorist was sitting with a bunch of terrorist defendants. They let me sit. This was a long time ago. And they let me sit inside the well. And one of them jumped over the railing to death. I don't really know if he's going to try to attack the judge or trying to escape the courtroom. That was a scary moment.

One time a terrorist was sitting with a bunch of terrorist defendants. They let me sit. This was a long time ago. And they let me sit inside the well. And one of them jumped over the railing to death. I don't really know if he's going to try to attack the judge or trying to escape the courtroom. That was a scary moment.

One time a terrorist was sitting with a bunch of terrorist defendants. They let me sit. This was a long time ago. And they let me sit inside the well. And one of them jumped over the railing to death. I don't really know if he's going to try to attack the judge or trying to escape the courtroom. That was a scary moment.

The judge stood up and pushed a panic button and I got off my chair and squatted on the floor because marshals came running in and tackled the guy right next to me, smashed his head against the wall. That was a bit of a moment of a shocker for me. Very intense.

The judge stood up and pushed a panic button and I got off my chair and squatted on the floor because marshals came running in and tackled the guy right next to me, smashed his head against the wall. That was a bit of a moment of a shocker for me. Very intense.