Podcast Appearances
You know, I actually, I had the opposite opinion. I, I kind of was really growing on Gustav. If nothing, if for nothing else, then I really loved the interactions between him and Sophie, where it was like, clearly there's something here that failed, but there's like a lot of reminiscent love and, and, and stuff.
You know, I actually, I had the opposite opinion. I, I kind of was really growing on Gustav. If nothing, if for nothing else, then I really loved the interactions between him and Sophie, where it was like, clearly there's something here that failed, but there's like a lot of reminiscent love and, and, and stuff.
And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.
And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.
And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.
At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.
At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.
At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.
Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.
Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.
Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.
She's, like, almost weeping. I love that.
She's, like, almost weeping. I love that.
She's, like, almost weeping. I love that.
So, yeah, I, I think Ryan, well, I think I'm more like you. I like to experience it as it's happening. If for nothing, I had this terrible experience with my wife who we went to Scotland a couple of years ago. And one day we were kind of having like a hangover recovery day. And we decided to get a bunch of like cheeses and cured meats and watch Braveheart, which he'd never seen.
So, yeah, I, I think Ryan, well, I think I'm more like you. I like to experience it as it's happening. If for nothing, I had this terrible experience with my wife who we went to Scotland a couple of years ago. And one day we were kind of having like a hangover recovery day. And we decided to get a bunch of like cheeses and cured meats and watch Braveheart, which he'd never seen.
So, yeah, I, I think Ryan, well, I think I'm more like you. I like to experience it as it's happening. If for nothing, I had this terrible experience with my wife who we went to Scotland a couple of years ago. And one day we were kind of having like a hangover recovery day. And we decided to get a bunch of like cheeses and cured meats and watch Braveheart, which he'd never seen.
And I loved Braveheart growing up. Absolutely loved that movie. Put it on. And right when the, gosh, what's her name? The female protagonist at the beginning gives young William Wallace the flower.
And I loved Braveheart growing up. Absolutely loved that movie. Put it on. And right when the, gosh, what's her name? The female protagonist at the beginning gives young William Wallace the flower.
And I loved Braveheart growing up. Absolutely loved that movie. Put it on. And right when the, gosh, what's her name? The female protagonist at the beginning gives young William Wallace the flower.