Jasmeet Singh

But if you were doing what some people were doing, which is like stop motion or traveling and trying to get a bunch of different locations perfectly for whatever reason, you needed to make sure that was perfect. Or you were screwed. So whenever you saw a video that seemed very intricate, those took a lot of work and a lot of messing up to get right. It was more dangerous, I think.

But if you were doing what some people were doing, which is like stop motion or traveling and trying to get a bunch of different locations perfectly for whatever reason, you needed to make sure that was perfect. Or you were screwed. So whenever you saw a video that seemed very intricate, those took a lot of work and a lot of messing up to get right. It was more dangerous, I think.

That was fun about it. It was just like, you had to get it. You had to get it.

That was fun about it. It was just like, you had to get it. You had to get it.

It was like how back in the 70s, I don't mean to compare Vine to filmmaking in the 70s, but there were some similarities in the sense of like in the 70s, you're shooting on film. So you could only you couldn't really even see what you were filming. A lot of the time, a lot of the directors didn't really know. They only like saw what DP was seeing.

It was like how back in the 70s, I don't mean to compare Vine to filmmaking in the 70s, but there were some similarities in the sense of like in the 70s, you're shooting on film. So you could only you couldn't really even see what you were filming. A lot of the time, a lot of the directors didn't really know. They only like saw what DP was seeing.

And you rolled and you only had a certain amount of film. And if you checked the gate and that film had a piece of lint in it or the shot was over literate, that was it. That's all you had because you only had a set amount of film or else the budget went way over. So there's a lot of that kind of element with Vine in the beginning where you had to get everything in that time. You couldn't go back.

And you rolled and you only had a certain amount of film. And if you checked the gate and that film had a piece of lint in it or the shot was over literate, that was it. That's all you had because you only had a set amount of film or else the budget went way over. So there's a lot of that kind of element with Vine in the beginning where you had to get everything in that time. You couldn't go back.

I mean, you didn't waste a bunch of money like a film production, but there could be great sections of a thing you were filming, but if one was off... then you have to start over.

I mean, you didn't waste a bunch of money like a film production, but there could be great sections of a thing you were filming, but if one was off... then you have to start over.

I'm shocked that it always works. I know. Let's get his wallet.

I'm shocked that it always works. I know. Let's get his wallet.

Jeff's choice was probably... So dark. It was such a dark video. It was called Bad Babysitters. And it was me and my friend Jay Walker. And we're by this pool. The pool's in the background. He goes, babysitting is so easy. Yeah, I know. Our kid's so quiet. He hasn't said anything for like an hour. And then you see a body floating.

Jeff's choice was probably... So dark. It was such a dark video. It was called Bad Babysitters. And it was me and my friend Jay Walker. And we're by this pool. The pool's in the background. He goes, babysitting is so easy. Yeah, I know. Our kid's so quiet. He hasn't said anything for like an hour. And then you see a body floating.

in a pool and it comes into frame perfectly as i say that and then somebody who's walking by goes is this your kid in the pool and then i go our kid can't swim it's very dark obviously the person in the pool was an adult man and it was all fake but the timing of it was perfect and that to me was what vine was about was getting everything perfect in one shot

in a pool and it comes into frame perfectly as i say that and then somebody who's walking by goes is this your kid in the pool and then i go our kid can't swim it's very dark obviously the person in the pool was an adult man and it was all fake but the timing of it was perfect and that to me was what vine was about was getting everything perfect in one shot

Vine did not have an algorithm. Vine in the beginning had... maybe 15 creators on it. But the user base in the beginning of the app was probably like at least a million people were watching Vines. I mean, that's a small amount for an app, but if you consider 15 creators are making videos for a million people, then it's like, that's just a crazy, no one knew what to do with it except a few people.

Vine did not have an algorithm. Vine in the beginning had... maybe 15 creators on it. But the user base in the beginning of the app was probably like at least a million people were watching Vines. I mean, that's a small amount for an app, but if you consider 15 creators are making videos for a million people, then it's like, that's just a crazy, no one knew what to do with it except a few people.

And we all just became the people that just kind of entertained everyone for a while. And then people started to go, oh, this is a comedy app. This can be used for comedy. Then more people got the groove, figured out the rhythm of it and started doing that as well. And then more creators. But even at the end of Vine's lifespan, I mean, popular creators like who had like,

And we all just became the people that just kind of entertained everyone for a while. And then people started to go, oh, this is a comedy app. This can be used for comedy. Then more people got the groove, figured out the rhythm of it and started doing that as well. And then more creators. But even at the end of Vine's lifespan, I mean, popular creators like who had like,