Jason Mantzoukas

You know, and it is the 40s.

Dude, yeah.

And it was from the teens.

I think, and this is not, truly this is not an effect, but I think in a way the black and white version of it is the effect that I got the most out of.

It helped immerse me in this world that it was referencing and always referencing all of the kind of classic cinematographic, what's the word I want?

Yeah.

Right?

I'm trying to find the same word.

But you know what I'm saying?

Like all those visual cues, all the cinematic cues, but specifically camera, like all this stuff.

The blinds and the stark.

contrast between light and dark and all this stuff that's like all the pieces of noir I really enjoyed and really helped me because I think if that hadn't been if I'd watched the color version I think I would have liked it quite a bit less like it it helped put me in the mindset of those movies that I love and those that kind of storytelling you know

Yes.

I didn't get that either.

That was odd.

And especially because I felt like the Silvermane, the crime storyline,

for me, ended around episode five or six.

And then seven and eight just felt interminably long because seven was mostly the mental hospital, Amy Aquino digging his liver out and make it like them.

Her young son, who's an old man, like I was like, what is going on?

Oh, yeah.