Jason Schreier

It's kind of hallucinogenic at times.

It's like a trip down memory lane, a whole bunch of short sequences, each one accompanied by a new piece of music.

So it's kind of an interesting mix of music that is in no way reflective of like an actual teen girl in the 90s.

Like it's not even close.

It is very much the music liked by these guys who made this game who are probably around my age and grew up in Australia.

Like there's a lot of Australian bands.

It's a lot of just like classic rock.

There's no Britney Spears, no Backstreet Boys.

No, there's no Miseducation of Lauryn Hill, which I was like, well, the fact that that's not in here alone.

But no, it's very specific and then kind of odd.

There's been a lot of criticism of this game.

People playing it being like, I was a teen girl in the 90s and I'm sorry, but like what?

They're listening to Rainbow, like Dio's band and talking about how cool it is.

Like this is not something my friends and I did.

But to me, that was actually a kind of a cool thing or funny thing about the game.

I didn't really mind.

I don't know.

It felt very specific to the people who made it.

The writer-director is a guy who goes by Johnny Galvatron.

I'm still not totally sure about his name situation.