Jason Spisak

So much of Frank Miller's writing in year one is thought bubbles. And that's what I love about this. We get an insight into Bruce Wayne's psyche and mind that we don't often get presented with. And you get to feel that, oh, wow, he really does have a little bit of worry. He thinks he's messed this up. He's not sure this is the right choice.

And we don't often get times to feel Batman in that space. We often get presented with the gothic Batman. We get presented with this very big stoic thing when in reality, you just have to read your one to know that it wasn't always that way.

And we don't often get times to feel Batman in that space. We often get presented with the gothic Batman. We get presented with this very big stoic thing when in reality, you just have to read your one to know that it wasn't always that way.

And we don't often get times to feel Batman in that space. We often get presented with the gothic Batman. We get presented with this very big stoic thing when in reality, you just have to read your one to know that it wasn't always that way.

So were there any things that surprised you? And Bruce is very guarded in that way.

So were there any things that surprised you? And Bruce is very guarded in that way.

So were there any things that surprised you? And Bruce is very guarded in that way.

At all times. And depending upon whoever he's in the room with, he has to be very careful about how he plays that chess game. And it is a real burden for him to carry, a real burden for him to carry to say, okay, what mask am I wearing? And we have this thing when we were working on DC High Falling Batman, talking about the many voices of Batman.

At all times. And depending upon whoever he's in the room with, he has to be very careful about how he plays that chess game. And it is a real burden for him to carry, a real burden for him to carry to say, okay, what mask am I wearing? And we have this thing when we were working on DC High Falling Batman, talking about the many voices of Batman.

At all times. And depending upon whoever he's in the room with, he has to be very careful about how he plays that chess game. And it is a real burden for him to carry, a real burden for him to carry to say, okay, what mask am I wearing? And we have this thing when we were working on DC High Falling Batman, talking about the many voices of Batman.

Because I mean, there's at least six, there could be nine. And that's what I like to say there because there's Bruce in Bruce's head alone by himself. There's Bruce when he talks to Alfred, there's this Bruce when he's out as the playboy among high society and the press is watching. That's a very different Bruce than the Bruce that's in Bruce's head.

Because I mean, there's at least six, there could be nine. And that's what I like to say there because there's Bruce in Bruce's head alone by himself. There's Bruce when he talks to Alfred, there's this Bruce when he's out as the playboy among high society and the press is watching. That's a very different Bruce than the Bruce that's in Bruce's head.

Because I mean, there's at least six, there could be nine. And that's what I like to say there because there's Bruce in Bruce's head alone by himself. There's Bruce when he talks to Alfred, there's this Bruce when he's out as the playboy among high society and the press is watching. That's a very different Bruce than the Bruce that's in Bruce's head.

And then when you hear him as Batman, he's a very different Batman inside his own head. He's a very different sound when he's intimidating Falcone or Zuko or, you know, in their faces. And it's a different voice because he's like a different person. He's presenting a different thing. And you have to clearly make those distinctions. And that's what I'm hoping people will hear.

And then when you hear him as Batman, he's a very different Batman inside his own head. He's a very different sound when he's intimidating Falcone or Zuko or, you know, in their faces. And it's a different voice because he's like a different person. He's presenting a different thing. And you have to clearly make those distinctions. And that's what I'm hoping people will hear.

And then when you hear him as Batman, he's a very different Batman inside his own head. He's a very different sound when he's intimidating Falcone or Zuko or, you know, in their faces. And it's a different voice because he's like a different person. He's presenting a different thing. And you have to clearly make those distinctions. And that's what I'm hoping people will hear.

It was hard because you make a choice and you're using this incredibly beautiful gift of the writing of like year one and Frank Miller and Jeff Loeb's writing is such a gift. You almost have to trust fall into it as an actor.

It was hard because you make a choice and you're using this incredibly beautiful gift of the writing of like year one and Frank Miller and Jeff Loeb's writing is such a gift. You almost have to trust fall into it as an actor.

It was hard because you make a choice and you're using this incredibly beautiful gift of the writing of like year one and Frank Miller and Jeff Loeb's writing is such a gift. You almost have to trust fall into it as an actor.

You have to just try not to do more than what's being presented to you and just honestly look at it and be like, okay, just disregarding anything I've seen or heard or audience expectation, What are they telling me that I'm supposed to do here? What are they guiding me? Where is that? And it is a solid guide. They're brilliant writers. They're gifted folks.