Jason Spisak

Could I have done this better? And as humans, where do we get those voices? Do we get those voices from our father? Do we get those voices from our mother? Where do those things come in? What makes us have this sense of internal responsibility? And on top of that, he's had to live his life without them. So yeah, I think it has that weight because of the story.

Could I have done this better? And as humans, where do we get those voices? Do we get those voices from our father? Do we get those voices from our mother? Where do those things come in? What makes us have this sense of internal responsibility? And on top of that, he's had to live his life without them. So yeah, I think it has that weight because of the story.

We experienced the birth of the cycle. I was frightened about that, by the way, because like the first time you get to do the Batman voice, having it be such a young version of Batman, such an inexperienced version of Batman. I didn't want the audience to reject it because it's not what they typically hear.

We experienced the birth of the cycle. I was frightened about that, by the way, because like the first time you get to do the Batman voice, having it be such a young version of Batman, such an inexperienced version of Batman. I didn't want the audience to reject it because it's not what they typically hear.

We experienced the birth of the cycle. I was frightened about that, by the way, because like the first time you get to do the Batman voice, having it be such a young version of Batman, such an inexperienced version of Batman. I didn't want the audience to reject it because it's not what they typically hear.

Right. And so like in the back of my mind, I'm like, just trust it. Just trust it.

Right. And so like in the back of my mind, I'm like, just trust it. Just trust it.

Right. And so like in the back of my mind, I'm like, just trust it. Just trust it.

Just trust it. You know, and because I want people to, to enjoy that journey. I want them to enjoy the journey that we're having from year one to Long Halloween to Dark Victory. I want them to feel what it's like to be Batman and how he has to grow and he's forced to change.

Just trust it. You know, and because I want people to, to enjoy that journey. I want them to enjoy the journey that we're having from year one to Long Halloween to Dark Victory. I want them to feel what it's like to be Batman and how he has to grow and he's forced to change.

Just trust it. You know, and because I want people to, to enjoy that journey. I want them to enjoy the journey that we're having from year one to Long Halloween to Dark Victory. I want them to feel what it's like to be Batman and how he has to grow and he's forced to change.

Yes. And we talked about it actually. So not only was I putting it in, but this is a collaborative effort for everybody at Realm and DC and everybody who's put the time and effort and love into this love letter to the fans. It's very important to everyone who's in the booth with me.

Yes. And we talked about it actually. So not only was I putting it in, but this is a collaborative effort for everybody at Realm and DC and everybody who's put the time and effort and love into this love letter to the fans. It's very important to everyone who's in the booth with me.

Yes. And we talked about it actually. So not only was I putting it in, but this is a collaborative effort for everybody at Realm and DC and everybody who's put the time and effort and love into this love letter to the fans. It's very important to everyone who's in the booth with me.

And we didn't have these discussions like, well, he's in this room of people, you know, and he says, none of you are safe. Oh, wait, but he's in a room full of people. Should it be more projected than that? Yeah, but I don't know if he's that Batman-y yet. Okay, well, let's see. Let me try it this way. And so I am actually trying this and it's sort of like Cinderella's glass slipper.

And we didn't have these discussions like, well, he's in this room of people, you know, and he says, none of you are safe. Oh, wait, but he's in a room full of people. Should it be more projected than that? Yeah, but I don't know if he's that Batman-y yet. Okay, well, let's see. Let me try it this way. And so I am actually trying this and it's sort of like Cinderella's glass slipper.

And we didn't have these discussions like, well, he's in this room of people, you know, and he says, none of you are safe. Oh, wait, but he's in a room full of people. Should it be more projected than that? Yeah, but I don't know if he's that Batman-y yet. Okay, well, let's see. Let me try it this way. And so I am actually trying this and it's sort of like Cinderella's glass slipper.

If you work on a project like this where it's iconic art, it's iconic writing, these stories are legend, you know when you hear a thing and it's right and it goes . It just fits in and you're like, okay, no, there. That's what it is. That fits in this space. You're never exactly sure where you're going to land in that moment. And there's lots of different ways to play it.

If you work on a project like this where it's iconic art, it's iconic writing, these stories are legend, you know when you hear a thing and it's right and it goes . It just fits in and you're like, okay, no, there. That's what it is. That fits in this space. You're never exactly sure where you're going to land in that moment. And there's lots of different ways to play it.

If you work on a project like this where it's iconic art, it's iconic writing, these stories are legend, you know when you hear a thing and it's right and it goes . It just fits in and you're like, okay, no, there. That's what it is. That fits in this space. You're never exactly sure where you're going to land in that moment. And there's lots of different ways to play it.