Jay Mohr

So I went, my right arm around his head, and I just went bodied into him.

And then we just were falling forward.

And then I clasped my hands under his back of his knee.

So we did like a somersault into the room.

what the fuck is this guy doing so then I slap Chris's ass I go now we're even and I get up and I'm walking to the night elevators I don't know why I turn left instead of right and I just hear this like running of the bulls behind me and I turn and it's like the entire room has emptied out and they're walking towards me but in front of them Chris is walking like a zombie like in a Scooby Doo like with the big leg and his eyes are up in

his head like, and his palms were out.

Terrifying.

So I had that time to get to the elevator and I'm hitting the button and I'm hitting the button.

The night elevator opens and it's filled with people from the Rainbow Room.

Yeah, yeah.

Just a wall of black tie and gowns, just taffeta and fucking Bengay, just all these.

So I wedge into the elevator and then Chris is walking towards the elevator.

Now he's going to kill me and there's going to be collateral damage.

And I go, look, everybody, that's Chris Farley.

And the whole elevator, like on an episode of New Heart, just goes, oh, and he goes, and he just turned around and walked away.

But the only reason I lived is because he's just, he had to get the laugh, even in that, even that, like instead of running at me and grabbing me, once everybody was mobile, he was like.

He just, if it was, he was, the way he was getting up off the couch was just a godsend.

I got really lucky and just took my shot.

Yeah.

Hey, lady.