Jay Paulson

Oh, the actual experience of reading?

Well, the artwork. I mean, the artwork was insane. I mean, that's iconic. That pose he does with the lightning flash going down. It's just like, yeah. I mean, so that was... As a young reader, that art was captivating, absolutely captivating. And the way he could tell that story from frame to frame with those characters and that line, his line was really incredible.

Well, the artwork. I mean, the artwork was insane. I mean, that's iconic. That pose he does with the lightning flash going down. It's just like, yeah. I mean, so that was... As a young reader, that art was captivating, absolutely captivating. And the way he could tell that story from frame to frame with those characters and that line, his line was really incredible.

Well, the artwork. I mean, the artwork was insane. I mean, that's iconic. That pose he does with the lightning flash going down. It's just like, yeah. I mean, so that was... As a young reader, that art was captivating, absolutely captivating. And the way he could tell that story from frame to frame with those characters and that line, his line was really incredible.

It was incredible, and I felt like I'd been knocking on the voiceover door for a while, and finally someone answered. That was really, and not just anybody answered. You know, I mean, it was really an amazing opportunity. And it was great to learn on the fly. You know, I have a bunch of friends in the business who've been doing voice for a long time. And I would say,

It was incredible, and I felt like I'd been knocking on the voiceover door for a while, and finally someone answered. That was really, and not just anybody answered. You know, I mean, it was really an amazing opportunity. And it was great to learn on the fly. You know, I have a bunch of friends in the business who've been doing voice for a long time. And I would say,

It was incredible, and I felt like I'd been knocking on the voiceover door for a while, and finally someone answered. That was really, and not just anybody answered. You know, I mean, it was really an amazing opportunity. And it was great to learn on the fly. You know, I have a bunch of friends in the business who've been doing voice for a long time. And I would say,

So do you have any tips for me on this? What do you think I should do here? But in general, everyone who was behind the scenes knew exactly sort of the tone they wanted and what they wanted out of it. Then it really did feel organic. I felt so supported. I felt like everyone was there to sort of help me do my best. And I just did my thing.

So do you have any tips for me on this? What do you think I should do here? But in general, everyone who was behind the scenes knew exactly sort of the tone they wanted and what they wanted out of it. Then it really did feel organic. I felt so supported. I felt like everyone was there to sort of help me do my best. And I just did my thing.

So do you have any tips for me on this? What do you think I should do here? But in general, everyone who was behind the scenes knew exactly sort of the tone they wanted and what they wanted out of it. Then it really did feel organic. I felt so supported. I felt like everyone was there to sort of help me do my best. And I just did my thing.

And as long as people kept coming back like, this is going well, this is going well.

And as long as people kept coming back like, this is going well, this is going well.

And as long as people kept coming back like, this is going well, this is going well.

There's always times when you wish you'd had someone to bounce it off of. And a lot of the heavier scenes, I was very grateful to have directors or people who would read the person opposite. And that's always helpful, I think, just in terms of what we were talking about earlier, catching your breath and recognizing where you would interrupt someone, this kind of thing. But...

There's always times when you wish you'd had someone to bounce it off of. And a lot of the heavier scenes, I was very grateful to have directors or people who would read the person opposite. And that's always helpful, I think, just in terms of what we were talking about earlier, catching your breath and recognizing where you would interrupt someone, this kind of thing. But...

There's always times when you wish you'd had someone to bounce it off of. And a lot of the heavier scenes, I was very grateful to have directors or people who would read the person opposite. And that's always helpful, I think, just in terms of what we were talking about earlier, catching your breath and recognizing where you would interrupt someone, this kind of thing. But...

You know, I read to my boys, I read books to my boys until they were about 15 years old. And maybe that has something to do with it, but I loved bringing them all to life. So, you know, maybe that had something to do with it.

You know, I read to my boys, I read books to my boys until they were about 15 years old. And maybe that has something to do with it, but I loved bringing them all to life. So, you know, maybe that had something to do with it.

You know, I read to my boys, I read books to my boys until they were about 15 years old. And maybe that has something to do with it, but I loved bringing them all to life. So, you know, maybe that had something to do with it.

Yeah, yeah. But it was an amazing opportunity. And it was really interesting to learn the differences, specifically with How Subtle. I couldn't believe, as I mentioned earlier, Coy, that you can just toss it, toss it, toss it. No mustard on it. I'm an actor, I'm a character actor. I'm an actor who loves character. I love to build the character. I love to throw stuff on it.