Jeff Goldblum

He had to blunt them. He had to blunt them. Here's what happened. That's a nice red drink you're drinking there, Jason. Thank you. It's just red wine that's spoiled. Really? Really? No, it's electrolytes. I like a nice—oh, I see. It's like a Gatorade. I like a nice mocktail these days.

He had to blunt them. He had to blunt them. Here's what happened. That's a nice red drink you're drinking there, Jason. Thank you. It's just red wine that's spoiled. Really? Really? No, it's electrolytes. I like a nice—oh, I see. It's like a Gatorade. I like a nice mocktail these days.

All these restaurants have on the menu, you know, ooh, they're good. They're really good.

All these restaurants have on the menu, you know, ooh, they're good. They're really good.

All these restaurants have on the menu, you know, ooh, they're good. They're really good.

But the answer to your question, oh, yes. So I lucked into, like I say, a couple of jobs, two gentlemen of Verona. The first thing I did on stage at the Delacorte was a big hit. Raul Julia was in it. Galt McDermott wrote the music. I was in the chorus. I just kind of lucked into that. And then it went to Broadway.

But the answer to your question, oh, yes. So I lucked into, like I say, a couple of jobs, two gentlemen of Verona. The first thing I did on stage at the Delacorte was a big hit. Raul Julia was in it. Galt McDermott wrote the music. I was in the chorus. I just kind of lucked into that. And then it went to Broadway.

But the answer to your question, oh, yes. So I lucked into, like I say, a couple of jobs, two gentlemen of Verona. The first thing I did on stage at the Delacorte was a big hit. Raul Julia was in it. Galt McDermott wrote the music. I was in the chorus. I just kind of lucked into that. And then it went to Broadway.

I stopped the second year with Sandy Meisner, did this year on Broadway as one of the chorus members and understudied one of the bigger parts and then went back and finished that second year work with Bill Esper, who people may know.

I stopped the second year with Sandy Meisner, did this year on Broadway as one of the chorus members and understudied one of the bigger parts and then went back and finished that second year work with Bill Esper, who people may know.

I stopped the second year with Sandy Meisner, did this year on Broadway as one of the chorus members and understudied one of the bigger parts and then went back and finished that second year work with Bill Esper, who people may know.

So I did that and then auditioned for a play, El Grande de Coca-Cola, got that, and then Altman saw me in that, and I auditioned for my first movie, which was Death Wish, and I started to work right away, in other words.

So I did that and then auditioned for a play, El Grande de Coca-Cola, got that, and then Altman saw me in that, and I auditioned for my first movie, which was Death Wish, and I started to work right away, in other words.

So I did that and then auditioned for a play, El Grande de Coca-Cola, got that, and then Altman saw me in that, and I auditioned for my first movie, which was Death Wish, and I started to work right away, in other words.

And I was even supporting myself and all that, except when I came to California four years later after doing Nashville and a couple other things, and kind of moved down here and got an agent, Abby Greshler, there was a moment when I was paying rent and my money was getting low and I thought, geez, I looked in the trade papers and they said, hey, are you an out-of-work actor?

And I was even supporting myself and all that, except when I came to California four years later after doing Nashville and a couple other things, and kind of moved down here and got an agent, Abby Greshler, there was a moment when I was paying rent and my money was getting low and I thought, geez, I looked in the trade papers and they said, hey, are you an out-of-work actor?

And I was even supporting myself and all that, except when I came to California four years later after doing Nashville and a couple other things, and kind of moved down here and got an agent, Abby Greshler, there was a moment when I was paying rent and my money was getting low and I thought, geez, I looked in the trade papers and they said, hey, are you an out-of-work actor?

You want to make a little money? Come and do this thing. So I joined this boiler room operation, which I guess is illegal at 50%. six in the morning, you go to Hollywood and you go to this place and you call correction institutions on the East Coast and you say, hi, I'm Bob and we have a government surplus program just went bust and we have a surplus of magic markers and pens and pencils.

You want to make a little money? Come and do this thing. So I joined this boiler room operation, which I guess is illegal at 50%. six in the morning, you go to Hollywood and you go to this place and you call correction institutions on the East Coast and you say, hi, I'm Bob and we have a government surplus program just went bust and we have a surplus of magic markers and pens and pencils.

You want to make a little money? Come and do this thing. So I joined this boiler room operation, which I guess is illegal at 50%. six in the morning, you go to Hollywood and you go to this place and you call correction institutions on the East Coast and you say, hi, I'm Bob and we have a government surplus program just went bust and we have a surplus of magic markers and pens and pencils.