Jeffrey Seller

Asking a star to play 52 weeks is an enormous lift, and only special stars who love musicals, Hugh Jackman, Lea Michele, Josh Groban, are willing to do that because of their deep love for the form.

Asking a star to play 52 weeks is an enormous lift, and only special stars who love musicals, Hugh Jackman, Lea Michele, Josh Groban, are willing to do that because of their deep love for the form.

Asking a star to play 52 weeks is an enormous lift, and only special stars who love musicals, Hugh Jackman, Lea Michele, Josh Groban, are willing to do that because of their deep love for the form.

Theaters are best operated when it's a mom-and-pop business. That, again, is the producer Jeffrey Seller. We're not a real business. To expect a theater to have earnings growth every quarter is crazy. We go up and we go down. We have hits, but in between those hits, we have four flops in a row. One cannot guarantee shareholders or banks or whoever those people are consistent earnings.

Theaters are best operated when it's a mom-and-pop business. That, again, is the producer Jeffrey Seller. We're not a real business. To expect a theater to have earnings growth every quarter is crazy. We go up and we go down. We have hits, but in between those hits, we have four flops in a row. One cannot guarantee shareholders or banks or whoever those people are consistent earnings.

Theaters are best operated when it's a mom-and-pop business. That, again, is the producer Jeffrey Seller. We're not a real business. To expect a theater to have earnings growth every quarter is crazy. We go up and we go down. We have hits, but in between those hits, we have four flops in a row. One cannot guarantee shareholders or banks or whoever those people are consistent earnings.

The danger is that they're going to contribute to inflation by needing to take more of that box office pie to share with those money people.

The danger is that they're going to contribute to inflation by needing to take more of that box office pie to share with those money people.

The danger is that they're going to contribute to inflation by needing to take more of that box office pie to share with those money people.

Oh, I choose to be a producer seven days a week, 365 days a year. I didn't come to New York to be a landlord. I'm a poor kid from Detroit who likes musicals. I don't like buildings. How good a business is the Broadway theater landlord business, however? I wouldn't turn it down. It's a fantastic business. It's heads I win, tails you lose. Period. End of discussion.

Oh, I choose to be a producer seven days a week, 365 days a year. I didn't come to New York to be a landlord. I'm a poor kid from Detroit who likes musicals. I don't like buildings. How good a business is the Broadway theater landlord business, however? I wouldn't turn it down. It's a fantastic business. It's heads I win, tails you lose. Period. End of discussion.

Oh, I choose to be a producer seven days a week, 365 days a year. I didn't come to New York to be a landlord. I'm a poor kid from Detroit who likes musicals. I don't like buildings. How good a business is the Broadway theater landlord business, however? I wouldn't turn it down. It's a fantastic business. It's heads I win, tails you lose. Period. End of discussion.

I'll say that to their faces and they know it. And no one's going to say, how dare you say that, Jeffrey? They know it. I know it. We all know it.

I'll say that to their faces and they know it. And no one's going to say, how dare you say that, Jeffrey? They know it. I know it. We all know it.

I'll say that to their faces and they know it. And no one's going to say, how dare you say that, Jeffrey? They know it. I know it. We all know it.