Jeremy Renner

Well, no, it wasn't about the amount of time. I think I was maybe to go for maybe a few months. Catherine Bigelow, the director, just sort of introduced me and said, all right, they're ready for you at the base if you want to go. So I kind of went out and just kind of did it all on my own and just waiting for the movie to kind of get up and get greenlit and go.

Well, no, it wasn't about the amount of time. I think I was maybe to go for maybe a few months. Catherine Bigelow, the director, just sort of introduced me and said, all right, they're ready for you at the base if you want to go. So I kind of went out and just kind of did it all on my own and just waiting for the movie to kind of get up and get greenlit and go.

And it just took a little bit longer. I think we were waiting for one of the actors that was doing another job to finish, and then we could start. And then it wasn't an easy independent film to kind of get up and get rolling. But once we did, we were rocking. But, yeah, it didn't mean to be like a year, year and a half. She just called me and says, like, are you ready to go?

And it just took a little bit longer. I think we were waiting for one of the actors that was doing another job to finish, and then we could start. And then it wasn't an easy independent film to kind of get up and get rolling. But once we did, we were rocking. But, yeah, it didn't mean to be like a year, year and a half. She just called me and says, like, are you ready to go?

And it just took a little bit longer. I think we were waiting for one of the actors that was doing another job to finish, and then we could start. And then it wasn't an easy independent film to kind of get up and get rolling. But once we did, we were rocking. But, yeah, it didn't mean to be like a year, year and a half. She just called me and says, like, are you ready to go?

I'm like, yeah, like I'm getting deployed. Like, yeah, let's go. I'm ready. And then I also – like we didn't even have a – like an EOD sort of tech on –

I'm like, yeah, like I'm getting deployed. Like, yeah, let's go. I'm ready. And then I also – like we didn't even have a – like an EOD sort of tech on –

I'm like, yeah, like I'm getting deployed. Like, yeah, let's go. I'm ready. And then I also – like we didn't even have a – like an EOD sort of tech on –

on the shoot I had to be the person that I had to call back I'm like I don't know this doesn't look right they set up these 155s and it's electrical and it should be dead cord and all these things that I learned but I wasn't an expert by any means I just wanted to make it look authentic in the movie so I had to call back and call me back let me take a picture of this shit I don't think it's right

on the shoot I had to be the person that I had to call back I'm like I don't know this doesn't look right they set up these 155s and it's electrical and it should be dead cord and all these things that I learned but I wasn't an expert by any means I just wanted to make it look authentic in the movie so I had to call back and call me back let me take a picture of this shit I don't think it's right

on the shoot I had to be the person that I had to call back I'm like I don't know this doesn't look right they set up these 155s and it's electrical and it should be dead cord and all these things that I learned but I wasn't an expert by any means I just wanted to make it look authentic in the movie so I had to call back and call me back let me take a picture of this shit I don't think it's right

Oh, wow.

Oh, wow.

Oh, wow.

And I wouldn't want to do that because we wanted to be very authentic to what we were doing. We are still making a movie, but let's live in this world. And look, the narrative is that the characters that live in this bizarre world in a very relevant time, in this war that we're in. and also the struggles of, you know, soldier and civilian life.

And I wouldn't want to do that because we wanted to be very authentic to what we were doing. We are still making a movie, but let's live in this world. And look, the narrative is that the characters that live in this bizarre world in a very relevant time, in this war that we're in. and also the struggles of, you know, soldier and civilian life.

And I wouldn't want to do that because we wanted to be very authentic to what we were doing. We are still making a movie, but let's live in this world. And look, the narrative is that the characters that live in this bizarre world in a very relevant time, in this war that we're in. and also the struggles of, you know, soldier and civilian life.

And because they were civilians and now they became soldiers, they'd be put in prison for life for doing the shit they're getting paid to do now. And that, you know, and that was a wonderful sort of outcome of the movie of how it bridged that sort of gap or the struggles with PTSD and coming back from this harrowing sort of existence and war. And then coming back and like,

And because they were civilians and now they became soldiers, they'd be put in prison for life for doing the shit they're getting paid to do now. And that, you know, and that was a wonderful sort of outcome of the movie of how it bridged that sort of gap or the struggles with PTSD and coming back from this harrowing sort of existence and war. And then coming back and like,

And because they were civilians and now they became soldiers, they'd be put in prison for life for doing the shit they're getting paid to do now. And that, you know, and that was a wonderful sort of outcome of the movie of how it bridged that sort of gap or the struggles with PTSD and coming back from this harrowing sort of existence and war. And then coming back and like,