Jeremy Strong

Certainly makes me cringe, but is very sweet because my kids have come to really love them.

Certainly makes me cringe, but is very sweet because my kids have come to really love them.

Well, for a guy who was throwing that party and was going to dress himself up on a cross with a USB crown of thorns, it felt... I learned two songs for it. I learned Honesty and I learned King of Pain by The Police. And I did both of those songs on the day. And so I think either of them would have worked. King of Pain is also a great song.

Well, for a guy who was throwing that party and was going to dress himself up on a cross with a USB crown of thorns, it felt... I learned two songs for it. I learned Honesty and I learned King of Pain by The Police. And I did both of those songs on the day. And so I think either of them would have worked. King of Pain is also a great song.

Well, for a guy who was throwing that party and was going to dress himself up on a cross with a USB crown of thorns, it felt... I learned two songs for it. I learned Honesty and I learned King of Pain by The Police. And I did both of those songs on the day. And so I think either of them would have worked. King of Pain is also a great song.

Right, which my kids can now do a pretty good version of.

Right, which my kids can now do a pretty good version of.

Right, which my kids can now do a pretty good version of.

Yeah. I just want to say to that, you know, it's such an interesting object lesson in how, you know, these things, when you're making them, You know, it's just you in a room with a couple people. And I was in Glasgow. We were filming. Nick Bertel, who's the composer, called me up in my room.

Yeah. I just want to say to that, you know, it's such an interesting object lesson in how, you know, these things, when you're making them, You know, it's just you in a room with a couple people. And I was in Glasgow. We were filming. Nick Bertel, who's the composer, called me up in my room.

Yeah. I just want to say to that, you know, it's such an interesting object lesson in how, you know, these things, when you're making them, You know, it's just you in a room with a couple people. And I was in Glasgow. We were filming. Nick Bertel, who's the composer, called me up in my room.

He wrote the theme song and he wrote this. And he said, hey, I have this rap. Maybe you could do it. at the dinner. We were filming it three days later and he played it for me on the phone and I have a recording of it in my voice notes and it was roughly what it became.

He wrote the theme song and he wrote this. And he said, hey, I have this rap. Maybe you could do it. at the dinner. We were filming it three days later and he played it for me on the phone and I have a recording of it in my voice notes and it was roughly what it became.

He wrote the theme song and he wrote this. And he said, hey, I have this rap. Maybe you could do it. at the dinner. We were filming it three days later and he played it for me on the phone and I have a recording of it in my voice notes and it was roughly what it became.

I made up the chorus for it and made up the melody for it and made it up in the car as we were driving from Glasgow to Dundee and it's just a pretty ad hoc thing in the making of it. You're just kind of throwing something together and you're dancing as fast as you can. And I asked the costume designer, I sketched out a jersey that I thought I could wear.

I made up the chorus for it and made up the melody for it and made it up in the car as we were driving from Glasgow to Dundee and it's just a pretty ad hoc thing in the making of it. You're just kind of throwing something together and you're dancing as fast as you can. And I asked the costume designer, I sketched out a jersey that I thought I could wear.

I made up the chorus for it and made up the melody for it and made it up in the car as we were driving from Glasgow to Dundee and it's just a pretty ad hoc thing in the making of it. You're just kind of throwing something together and you're dancing as fast as you can. And I asked the costume designer, I sketched out a jersey that I thought I could wear.

And they made it for me and had it three days later. So again, to say a little bit to that question of like, how on earth could I try and do something different in the final scene? Like the way we made that show was incredibly collaborative. And so that became something that people reference and know about.

And they made it for me and had it three days later. So again, to say a little bit to that question of like, how on earth could I try and do something different in the final scene? Like the way we made that show was incredibly collaborative. And so that became something that people reference and know about.

And they made it for me and had it three days later. So again, to say a little bit to that question of like, how on earth could I try and do something different in the final scene? Like the way we made that show was incredibly collaborative. And so that became something that people reference and know about.