Jeremy Strong

Well, no, I mean, it's also about Murdoch. But of course, I read that book when I was working on Succession because... You know, during that time.

There's intersectionality there.

There's intersectionality there.

There's intersectionality there.

You know, I don't. I don't. If I'm honest, I feel that my job is to almost be a sort of vessel which involves kind of clearing myself out. I went on a silent meditation retreat last week, Terry, and the teacher, who's an incredible person, man named John Kabat-Zinn, who's written a lot of great books.

You know, I don't. I don't. If I'm honest, I feel that my job is to almost be a sort of vessel which involves kind of clearing myself out. I went on a silent meditation retreat last week, Terry, and the teacher, who's an incredible person, man named John Kabat-Zinn, who's written a lot of great books.

You know, I don't. I don't. If I'm honest, I feel that my job is to almost be a sort of vessel which involves kind of clearing myself out. I went on a silent meditation retreat last week, Terry, and the teacher, who's an incredible person, man named John Kabat-Zinn, who's written a lot of great books.

John talked about a term called anatta, which means no self or not self. And it really resonated with me because I find that that is the place where I tend to be when I'm working, I think, creatively. But your question about whether I felt adjacent to Trump, I guess I don't. I guess I feel like my job is to

John talked about a term called anatta, which means no self or not self. And it really resonated with me because I find that that is the place where I tend to be when I'm working, I think, creatively. But your question about whether I felt adjacent to Trump, I guess I don't. I guess I feel like my job is to

John talked about a term called anatta, which means no self or not self. And it really resonated with me because I find that that is the place where I tend to be when I'm working, I think, creatively. But your question about whether I felt adjacent to Trump, I guess I don't. I guess I feel like my job is to

Be a musician, a first chair musician to play whatever instrument it is that I'm given to play whatever piece of music that I'm given.

Be a musician, a first chair musician to play whatever instrument it is that I'm given to play whatever piece of music that I'm given.

Be a musician, a first chair musician to play whatever instrument it is that I'm given to play whatever piece of music that I'm given.

Thank you. You know, I used to, when I was in college, I sort of have held on to old scripts and plays. And when I did, you know, American Buffalo or something, Look Back in Anger in college, I have a million notes and it's sort of notated and annotated. And then at a certain point, I'd stopped writing anything down.

Thank you. You know, I used to, when I was in college, I sort of have held on to old scripts and plays. And when I did, you know, American Buffalo or something, Look Back in Anger in college, I have a million notes and it's sort of notated and annotated. And then at a certain point, I'd stopped writing anything down.

Thank you. You know, I used to, when I was in college, I sort of have held on to old scripts and plays. And when I did, you know, American Buffalo or something, Look Back in Anger in college, I have a million notes and it's sort of notated and annotated. And then at a certain point, I'd stopped writing anything down.

I guess at a certain point, you develop a trust in your unconscious, intuitive self that if it's properly absorbed something, then it will be there somehow. Now, I think voice is very important to me for any character. And Roy had a very... very particular way of speaking and a very specific pentameter. And the music of that is something that becomes your job to both master and then throw away.

I guess at a certain point, you develop a trust in your unconscious, intuitive self that if it's properly absorbed something, then it will be there somehow. Now, I think voice is very important to me for any character. And Roy had a very... very particular way of speaking and a very specific pentameter. And the music of that is something that becomes your job to both master and then throw away.

I guess at a certain point, you develop a trust in your unconscious, intuitive self that if it's properly absorbed something, then it will be there somehow. Now, I think voice is very important to me for any character. And Roy had a very... very particular way of speaking and a very specific pentameter. And the music of that is something that becomes your job to both master and then throw away.

He writes in Hamlet, Shakespeare says, that use can almost change the stamp of nature. And I feel that actors, especially when you're attempting to do some kind of transformational work, which is the kind of work that I love the most and have been inspired by in my life the most, your job is to kind of change the stamp of your nature.