Jessica Lange

That, I mean, it's the same thing with, now I've done... Mary Tyrone von Long Day's Journey Into Night.

That, I mean, it's the same thing with, now I've done... Mary Tyrone von Long Day's Journey Into Night.

Ja, wir haben es gedreht. Wir haben es gefilmt. Aber das ist wie Postproduktion. Ich habe keine Ahnung, wie bald das rauskommt. Aber als Schauspieler fühlst du dich so, okay, ich habe das einmal gemacht, ich habe das eine andere Zeit gemacht, ich habe das eine andere Zeit gemacht. And yet it's a bottomless well, that character, that part. There's no way you could ever exhaust it.

Ja, wir haben es gedreht. Wir haben es gefilmt. Aber das ist wie Postproduktion. Ich habe keine Ahnung, wie bald das rauskommt. Aber als Schauspieler fühlst du dich so, okay, ich habe das einmal gemacht, ich habe das eine andere Zeit gemacht, ich habe das eine andere Zeit gemacht. And yet it's a bottomless well, that character, that part. There's no way you could ever exhaust it.

Ja, wir haben es gedreht. Wir haben es gefilmt. Aber das ist wie Postproduktion. Ich habe keine Ahnung, wie bald das rauskommt. Aber als Schauspieler fühlst du dich so, okay, ich habe das einmal gemacht, ich habe das eine andere Zeit gemacht, ich habe das eine andere Zeit gemacht. And yet it's a bottomless well, that character, that part. There's no way you could ever exhaust it.

Yeah, and it's endless, the possibilities. You know, just like one little sidetrack here and it takes you down a whole different place you've never been before. And it's like, I mean, it's...

Yeah, and it's endless, the possibilities. You know, just like one little sidetrack here and it takes you down a whole different place you've never been before. And it's like, I mean, it's...

Yeah, and it's endless, the possibilities. You know, just like one little sidetrack here and it takes you down a whole different place you've never been before. And it's like, I mean, it's...

Yeah, but also about brilliant writing.

Yeah, but also about brilliant writing.

Yeah, but also about brilliant writing.

Yeah, because you have somebody like, you know, O'Neill, who's writing about his mother.

Yeah, because you have somebody like, you know, O'Neill, who's writing about his mother.

Yeah, because you have somebody like, you know, O'Neill, who's writing about his mother.

Or you have Williams, who's writing about his sister. I mean, so you're grounded in this, like, the most personal kind of truth is, And what they've gone through to write this, you know, is... And therefore it's like... It is endless. Right. It's like a bottomless well. And it's a... Like it's a human constant. Like it's like... Almost like a truth. Yeah.

Or you have Williams, who's writing about his sister. I mean, so you're grounded in this, like, the most personal kind of truth is, And what they've gone through to write this, you know, is... And therefore it's like... It is endless. Right. It's like a bottomless well. And it's a... Like it's a human constant. Like it's like... Almost like a truth. Yeah.

Or you have Williams, who's writing about his sister. I mean, so you're grounded in this, like, the most personal kind of truth is, And what they've gone through to write this, you know, is... And therefore it's like... It is endless. Right. It's like a bottomless well. And it's a... Like it's a human constant. Like it's like... Almost like a truth. Yeah.

Yes, and those are two good ones. You can usually rely on them.

Yes, and those are two good ones. You can usually rely on them.

Yes, and those are two good ones. You can usually rely on them.