Jessica Lange

Well, it started, it was originally conceived and written by the niece of Marion Seldes, the actress. Mostly a stage actress, a great stage actress, who, yes, suffers dementia.

Yeah.

Yeah.

Yeah.

And this gave me, you know, the opportunity, because we rehearsed for several weeks, so we were rehearsing it like a play. And we had a great ensemble of actors. And, you know, yeah. And what I loved about the story was how... Lubias Leben an diesem Punkt im Cherry Orchard schlägt Lilian Halls Leben im Film, in der Geschichte. Weil es alles um Verlust geht.

And this gave me, you know, the opportunity, because we rehearsed for several weeks, so we were rehearsing it like a play. And we had a great ensemble of actors. And, you know, yeah. And what I loved about the story was how... Lubias Leben an diesem Punkt im Cherry Orchard schlägt Lilian Halls Leben im Film, in der Geschichte. Weil es alles um Verlust geht.

And this gave me, you know, the opportunity, because we rehearsed for several weeks, so we were rehearsing it like a play. And we had a great ensemble of actors. And, you know, yeah. And what I loved about the story was how... Lubias Leben an diesem Punkt im Cherry Orchard schlägt Lilian Halls Leben im Film, in der Geschichte. Weil es alles um Verlust geht.

Es geht alles um das, was weggerissen wird. Im Fall von Lilian Hall ist es ihre Erinnerung. It's her ability to do what she's always done. It's like the knowledge, all of that, that's being taken away with the dementia. And, you know, in the cherry orchard, it's the land, it's the orchard, it's the house, it's family. Everything is being, these women are losing everything. And you're like, I'm in.

Es geht alles um das, was weggerissen wird. Im Fall von Lilian Hall ist es ihre Erinnerung. It's her ability to do what she's always done. It's like the knowledge, all of that, that's being taken away with the dementia. And, you know, in the cherry orchard, it's the land, it's the orchard, it's the house, it's family. Everything is being, these women are losing everything. And you're like, I'm in.

Es geht alles um das, was weggerissen wird. Im Fall von Lilian Hall ist es ihre Erinnerung. It's her ability to do what she's always done. It's like the knowledge, all of that, that's being taken away with the dementia. And, you know, in the cherry orchard, it's the land, it's the orchard, it's the house, it's family. Everything is being, these women are losing everything. And you're like, I'm in.

I'm in, I like that, okay, loss, sorrow. Grief, Leidenschaft, ich kann es. Ja. Das ist der Zeitpunkt.

I'm in, I like that, okay, loss, sorrow. Grief, Leidenschaft, ich kann es. Ja. Das ist der Zeitpunkt.

I'm in, I like that, okay, loss, sorrow. Grief, Leidenschaft, ich kann es. Ja. Das ist der Zeitpunkt.

Ja, und du weißt, ich habe ein Spiel auf Broadway dieses Frühjahr gemacht. Ja. Mutter-Spiel. Wo, ähm, wiederum, es ist ein Charakter, der alles verliert. Ja. Ähm, und es ist ein, äh, es ist etwa ein 12, 15-Minuten-Sektion des Spiels.

Ja, und du weißt, ich habe ein Spiel auf Broadway dieses Frühjahr gemacht. Ja. Mutter-Spiel. Wo, ähm, wiederum, es ist ein Charakter, der alles verliert. Ja. Ähm, und es ist ein, äh, es ist etwa ein 12, 15-Minuten-Sektion des Spiels.

Ja, und du weißt, ich habe ein Spiel auf Broadway dieses Frühjahr gemacht. Ja. Mutter-Spiel. Wo, ähm, wiederum, es ist ein Charakter, der alles verliert. Ja. Ähm, und es ist ein, äh, es ist etwa ein 12, 15-Minuten-Sektion des Spiels.

Wo ich an einem bestimmten Punkt in der, du weißt, My son, my daughter, my son has died, my daughter is, you know, we've been separate and I'm living alone in a little apartment and I come home from work. And it's a silent section of the play. And for about 15 minutes I'm on stage by myself. Just what does a woman do when she walks into her home at the end of the day?

Wo ich an einem bestimmten Punkt in der, du weißt, My son, my daughter, my son has died, my daughter is, you know, we've been separate and I'm living alone in a little apartment and I come home from work. And it's a silent section of the play. And for about 15 minutes I'm on stage by myself. Just what does a woman do when she walks into her home at the end of the day?

Wo ich an einem bestimmten Punkt in der, du weißt, My son, my daughter, my son has died, my daughter is, you know, we've been separate and I'm living alone in a little apartment and I come home from work. And it's a silent section of the play. And for about 15 minutes I'm on stage by myself. Just what does a woman do when she walks into her home at the end of the day?

She's confronted with twilight. And how does she fill those empty, empty hours before she can take her first drink? Before she can go to bed, before she can, you know. And it was really a fascinating, it was my favorite part of the play, one of my favorite parts of the play. Just you on stage. Just me on stage. 15 minutes. 15 minutes.