Jessica Lee Gagné

And that to me was like, I was like a kid in a candy store being able to do that. Because we have these three different timelines and there was this idea of a whirlwind of things just all happening all at once. And I don't actually believe in the concept of time. I use it as a word in the English language, but to me, it's not really...

It's relevant in my personal experience and your personal experience, but you can see above it in this episode, it showcases that, that everything is happening kind of all at once. So we are constantly affected by everything. And in this moment, they join at the end of the episode in that emotion, in that vibration.

It's relevant in my personal experience and your personal experience, but you can see above it in this episode, it showcases that, that everything is happening kind of all at once. So we are constantly affected by everything. And in this moment, they join at the end of the episode in that emotion, in that vibration.

It's relevant in my personal experience and your personal experience, but you can see above it in this episode, it showcases that, that everything is happening kind of all at once. So we are constantly affected by everything. And in this moment, they join at the end of the episode in that emotion, in that vibration.

And you see them move through space in this like opposite way, but they're feeling the same feeling of having lost each other.

And you see them move through space in this like opposite way, but they're feeling the same feeling of having lost each other.

And you see them move through space in this like opposite way, but they're feeling the same feeling of having lost each other.

like I sometimes would know things like that but then also some of this was like purely intuitive and I feel like as filmmakers that's what happens right you just try and follow your intuition and what feels right yeah um because it got really technical and that was always one of my fears as a director that I would not be a good director because I would be the technical one you know it was something that was in my head for a long time and I feared this but then doing this

like I sometimes would know things like that but then also some of this was like purely intuitive and I feel like as filmmakers that's what happens right you just try and follow your intuition and what feels right yeah um because it got really technical and that was always one of my fears as a director that I would not be a good director because I would be the technical one you know it was something that was in my head for a long time and I feared this but then doing this

like I sometimes would know things like that but then also some of this was like purely intuitive and I feel like as filmmakers that's what happens right you just try and follow your intuition and what feels right yeah um because it got really technical and that was always one of my fears as a director that I would not be a good director because I would be the technical one you know it was something that was in my head for a long time and I feared this but then doing this

episode, at first, I didn't think it was going to be as emotional as it was. And the writing kept getting more and more sensitive and more and more emotional. And I just stuck with it, you know, even though I was really afraid of it. But I was actually able to go there, which surprised me. And I feel like that technical and emotional aspect together is also what makes seven strong.

episode, at first, I didn't think it was going to be as emotional as it was. And the writing kept getting more and more sensitive and more and more emotional. And I just stuck with it, you know, even though I was really afraid of it. But I was actually able to go there, which surprised me. And I feel like that technical and emotional aspect together is also what makes seven strong.

episode, at first, I didn't think it was going to be as emotional as it was. And the writing kept getting more and more sensitive and more and more emotional. And I just stuck with it, you know, even though I was really afraid of it. But I was actually able to go there, which surprised me. And I feel like that technical and emotional aspect together is also what makes seven strong.

Side projects, as you call them. Yeah, it was like Scott McGuire's side project.

Side projects, as you call them. Yeah, it was like Scott McGuire's side project.

Side projects, as you call them. Yeah, it was like Scott McGuire's side project.

Yeah. And I mean, everyone in the camera department participated in this shot in their own way. You know, Mike Guthrie was always a big part of like technical development stuff with us as well. He was the AC on the other camera.

Yeah. And I mean, everyone in the camera department participated in this shot in their own way. You know, Mike Guthrie was always a big part of like technical development stuff with us as well. He was the AC on the other camera.

Yeah. And I mean, everyone in the camera department participated in this shot in their own way. You know, Mike Guthrie was always a big part of like technical development stuff with us as well. He was the AC on the other camera.

I mean, shout out to Adam for that though, because like we were talking about like really technical things and emotional things at the same time. Those two scenes were very strange to put back to back.