Jessica Lee Gagné
👤 SpeakerAppearances Over Time
Podcast Appearances
Well, the thought about shooting it on film to me, it's funny because originally I am the cinematographer of this show. And, you know, when it comes to like choosing cameras and lenses, I'm like a huge, I mean, I'm a huge part of that process. You know, I'll show you different things and then I'll see how you react from them. And then ultimately we're like making this decision.
Well, the thought about shooting it on film to me, it's funny because originally I am the cinematographer of this show. And, you know, when it comes to like choosing cameras and lenses, I'm like a huge, I mean, I'm a huge part of that process. You know, I'll show you different things and then I'll see how you react from them. And then ultimately we're like making this decision.
But we had chosen not to shoot on film. And I don't know if you remember, I was always adamant that I never thought Severance should be shot on film.
But we had chosen not to shoot on film. And I don't know if you remember, I was always adamant that I never thought Severance should be shot on film.
But we had chosen not to shoot on film. And I don't know if you remember, I was always adamant that I never thought Severance should be shot on film.
Yeah. I mean, so many directors want to shoot on film. I understand that. And so many DPs do as well. But then when this idea of flashbacks came up, I was like, oh, crap. I'm the one who has to bring up the fact that I think this should be shot on film. Now I get to be like that person. But there's, you know, I don't like in post adding a look to something to make it look like a flashback.
Yeah. I mean, so many directors want to shoot on film. I understand that. And so many DPs do as well. But then when this idea of flashbacks came up, I was like, oh, crap. I'm the one who has to bring up the fact that I think this should be shot on film. Now I get to be like that person. But there's, you know, I don't like in post adding a look to something to make it look like a flashback.
Yeah. I mean, so many directors want to shoot on film. I understand that. And so many DPs do as well. But then when this idea of flashbacks came up, I was like, oh, crap. I'm the one who has to bring up the fact that I think this should be shot on film. Now I get to be like that person. But there's, you know, I don't like in post adding a look to something to make it look like a flashback.
I was like, what's the most natural and simple way to do this? And basically shooting on film evokes nostalgia right away now for us and for where we are in society now. So I was like, well, this is the simple answer. Let's try and do this. And then we ended up doing it.
I was like, what's the most natural and simple way to do this? And basically shooting on film evokes nostalgia right away now for us and for where we are in society now. So I was like, well, this is the simple answer. Let's try and do this. And then we ended up doing it.
I was like, what's the most natural and simple way to do this? And basically shooting on film evokes nostalgia right away now for us and for where we are in society now. So I was like, well, this is the simple answer. Let's try and do this. And then we ended up doing it.
Doing what people say you never, you know, any filmmaker will say no one will ever get to shoot in my house. You don't let anyone touch your house.
Doing what people say you never, you know, any filmmaker will say no one will ever get to shoot in my house. You don't let anyone touch your house.
Doing what people say you never, you know, any filmmaker will say no one will ever get to shoot in my house. You don't let anyone touch your house.
But this house was made for it. And I say, do you know about how it happened originally? Like I was describing what I thought this place, I thought it was an apartment at first. I was like, oh, I think they should live like in an apartment with moldings and there's libraries and that's an old place. And it has like the time is like on the walls. And I'm talking about this space.
But this house was made for it. And I say, do you know about how it happened originally? Like I was describing what I thought this place, I thought it was an apartment at first. I was like, oh, I think they should live like in an apartment with moldings and there's libraries and that's an old place. And it has like the time is like on the walls. And I'm talking about this space.
But this house was made for it. And I say, do you know about how it happened originally? Like I was describing what I thought this place, I thought it was an apartment at first. I was like, oh, I think they should live like in an apartment with moldings and there's libraries and that's an old place. And it has like the time is like on the walls. And I'm talking about this space.
And Jeremy had been to the house I was living in, which is an amazing, beautiful home. I was renting it. And he was like, you realize, Jessica, we're going to be shooting this in your house. And I was like, oh, I had never thought about it. I just was speechless for like a minute. I'm like, oh my God, he's right. We're shooting this in this house.
And Jeremy had been to the house I was living in, which is an amazing, beautiful home. I was renting it. And he was like, you realize, Jessica, we're going to be shooting this in your house. And I was like, oh, I had never thought about it. I just was speechless for like a minute. I'm like, oh my God, he's right. We're shooting this in this house.
And Jeremy had been to the house I was living in, which is an amazing, beautiful home. I was renting it. And he was like, you realize, Jessica, we're going to be shooting this in your house. And I was like, oh, I had never thought about it. I just was speechless for like a minute. I'm like, oh my God, he's right. We're shooting this in this house.