Jimmy Carr

So I, you know, most people kind of do this thing of they watch new movies.

So I, you know, most people kind of do this thing of they watch new movies.

because the dopamine of the new story and they listen to old music and I read that book Cinema Speculation I went I'm going to just watch 70s movies and I just started watching the old movies because you forget I mean even if you have seen it you've kind of if you saw it 30 years ago you remember one moment you watch that and then listen to new music so you kind of flip the thing it's really good I'm really loving it I'm loving watching the old movies some of the old movies are fucking amazing

because the dopamine of the new story and they listen to old music and I read that book Cinema Speculation I went I'm going to just watch 70s movies and I just started watching the old movies because you forget I mean even if you have seen it you've kind of if you saw it 30 years ago you remember one moment you watch that and then listen to new music so you kind of flip the thing it's really good I'm really loving it I'm loving watching the old movies some of the old movies are fucking amazing

because the dopamine of the new story and they listen to old music and I read that book Cinema Speculation I went I'm going to just watch 70s movies and I just started watching the old movies because you forget I mean even if you have seen it you've kind of if you saw it 30 years ago you remember one moment you watch that and then listen to new music so you kind of flip the thing it's really good I'm really loving it I'm loving watching the old movies some of the old movies are fucking amazing

The Quentin Tarantino book is just... He's incredible.

The Quentin Tarantino book is just... He's incredible.

The Quentin Tarantino book is just... He's incredible.

It's a vision. Yeah. I put him up with Kubrick. I think he's that genius. Actually, I wanted to ask you about that. The Kubrick thing, I got told this fact. What? Okay, so I got told this thing and then I asked Tom Cruise about it. This is a good story. You asked Tom Cruise about something? Okay, so I met Tom Cruise at a friend's wedding and I said, I had nothing to say to Tom Cruise.

It's a vision. Yeah. I put him up with Kubrick. I think he's that genius. Actually, I wanted to ask you about that. The Kubrick thing, I got told this fact. What? Okay, so I got told this thing and then I asked Tom Cruise about it. This is a good story. You asked Tom Cruise about something? Okay, so I met Tom Cruise at a friend's wedding and I said, I had nothing to say to Tom Cruise.

It's a vision. Yeah. I put him up with Kubrick. I think he's that genius. Actually, I wanted to ask you about that. The Kubrick thing, I got told this fact. What? Okay, so I got told this thing and then I asked Tom Cruise about it. This is a good story. You asked Tom Cruise about something? Okay, so I met Tom Cruise at a friend's wedding and I said, I had nothing to say to Tom Cruise.

Oh, I had so much to say. I said, you made Eyes Wide Shut with Kubrick. And he went, yeah, yeah, I did. I said, I heard he shoots everything, he shot everything with NASA lenses. So the reason he was able to shoot Barry Lyndon, you know the movie Barry Lyndon with Harvey Keitel? Amazing movie. I never saw it. It's lit by candle. There's no lights in that movie. He shot it by candlelight.

Oh, I had so much to say. I said, you made Eyes Wide Shut with Kubrick. And he went, yeah, yeah, I did. I said, I heard he shoots everything, he shot everything with NASA lenses. So the reason he was able to shoot Barry Lyndon, you know the movie Barry Lyndon with Harvey Keitel? Amazing movie. I never saw it. It's lit by candle. There's no lights in that movie. He shot it by candlelight.

Oh, I had so much to say. I said, you made Eyes Wide Shut with Kubrick. And he went, yeah, yeah, I did. I said, I heard he shoots everything, he shot everything with NASA lenses. So the reason he was able to shoot Barry Lyndon, you know the movie Barry Lyndon with Harvey Keitel? Amazing movie. I never saw it. It's lit by candle. There's no lights in that movie. He shot it by candlelight.

And the reason he was able to make it was because he had the best lenses ever made by humans, which were the NASA lenses that they took to the moon landing. So that was Hasselblad. So Hasselblad?

And the reason he was able to make it was because he had the best lenses ever made by humans, which were the NASA lenses that they took to the moon landing. So that was Hasselblad. So Hasselblad?

And the reason he was able to make it was because he had the best lenses ever made by humans, which were the NASA lenses that they took to the moon landing. So that was Hasselblad. So Hasselblad?

Okay, so he had these lenses. So Kubrick shot everything with these lenses. Now, here's the question for you. How did Stanley Kubrick get those lenses? Maybe at the NASA garage sale they had in 1971 where they sold all the stuff on the front lawn. Okay, so the story I got told, which I want to ask you about, is they...

Okay, so he had these lenses. So Kubrick shot everything with these lenses. Now, here's the question for you. How did Stanley Kubrick get those lenses? Maybe at the NASA garage sale they had in 1971 where they sold all the stuff on the front lawn. Okay, so the story I got told, which I want to ask you about, is they...

Okay, so he had these lenses. So Kubrick shot everything with these lenses. Now, here's the question for you. How did Stanley Kubrick get those lenses? Maybe at the NASA garage sale they had in 1971 where they sold all the stuff on the front lawn. Okay, so the story I got told, which I want to ask you about, is they...