Joan Baez (song lyrics)

Yeah, I did.

Yeah, I'd introduce him, and my audience, they're trained into absolute silence to listen to the Madonna singer, nubile folk songs, and on would come this little scruff ball, and he would sing, and his voice, they were not prepared for that, and sometimes they would boo, and I'd shake my little finger at them like a schoolmarm and say, now you listen to this boy, he's a genius, and so they'd be quiet and obedient, and then before very long, maybe a verse or two, they'd figure out.

Yeah, I'd introduce him, and my audience, they're trained into absolute silence to listen to the Madonna singer, nubile folk songs, and on would come this little scruff ball, and he would sing, and his voice, they were not prepared for that, and sometimes they would boo, and I'd shake my little finger at them like a schoolmarm and say, now you listen to this boy, he's a genius, and so they'd be quiet and obedient, and then before very long, maybe a verse or two, they'd figure out.

Yeah, I'd introduce him, and my audience, they're trained into absolute silence to listen to the Madonna singer, nubile folk songs, and on would come this little scruff ball, and he would sing, and his voice, they were not prepared for that, and sometimes they would boo, and I'd shake my little finger at them like a schoolmarm and say, now you listen to this boy, he's a genius, and so they'd be quiet and obedient, and then before very long, maybe a verse or two, they'd figure out.

that in fact it was something quite astonishing going on with the songs he was writing.

that in fact it was something quite astonishing going on with the songs he was writing.

that in fact it was something quite astonishing going on with the songs he was writing.

That's true. I don't really enjoy telling Dylan stories over the air, but I would say that in what I wrote about Bob, which is... I think has surprised people because it's very candid. I open myself up. I mean, I think you learn more about me than you do about Bob and tell the magnificence of the music and the times that we had together and really some glorious things about him.

That's true. I don't really enjoy telling Dylan stories over the air, but I would say that in what I wrote about Bob, which is... I think has surprised people because it's very candid. I open myself up. I mean, I think you learn more about me than you do about Bob and tell the magnificence of the music and the times that we had together and really some glorious things about him.

That's true. I don't really enjoy telling Dylan stories over the air, but I would say that in what I wrote about Bob, which is... I think has surprised people because it's very candid. I open myself up. I mean, I think you learn more about me than you do about Bob and tell the magnificence of the music and the times that we had together and really some glorious things about him.

And then it's very unflattering and the dismal parts. and that was very difficult to figure out how to write that because he and the other people I've dealt with in the book are important to me, were important to me, and so I think you have to write some of the good and the bad. On the other hand, I don't think a book should be written to level accounts, and I really tried not to do that.

And then it's very unflattering and the dismal parts. and that was very difficult to figure out how to write that because he and the other people I've dealt with in the book are important to me, were important to me, and so I think you have to write some of the good and the bad. On the other hand, I don't think a book should be written to level accounts, and I really tried not to do that.

And then it's very unflattering and the dismal parts. and that was very difficult to figure out how to write that because he and the other people I've dealt with in the book are important to me, were important to me, and so I think you have to write some of the good and the bad. On the other hand, I don't think a book should be written to level accounts, and I really tried not to do that.

I tried to just express what those times were like.

I tried to just express what those times were like.

I tried to just express what those times were like.

I would talk about that in a grander sense in general. Somebody who came into an identity at age 18, as I said, and I thought I was pretty terrific to be the Madonna, and got lots and lots of attention and learned to sort of survive on that. And one of the things that happened was I couldn't stand having the show stolen from me.

I would talk about that in a grander sense in general. Somebody who came into an identity at age 18, as I said, and I thought I was pretty terrific to be the Madonna, and got lots and lots of attention and learned to sort of survive on that. And one of the things that happened was I couldn't stand having the show stolen from me.

I would talk about that in a grander sense in general. Somebody who came into an identity at age 18, as I said, and I thought I was pretty terrific to be the Madonna, and got lots and lots of attention and learned to sort of survive on that. And one of the things that happened was I couldn't stand having the show stolen from me.

I was very ungraceful about that, and I simply couldn't believe that that was happening. About Bob's gracelessness, people can make their own assumptions why he did what he did, but the difficulty for me was my own reaction to that, that I kept going back to it and didn't use my head or didn't have one in that situation. Do you still sing songs by him? Sure, yeah. They're marvelous.